This is The Digital Story Podcast #933, Feb. 6, 2024. Today's theme is "Documenting What Makes You, You." I'm Derrick Story.

Opening Monologue

We have many more dimensions than most folks realize. Yes, in this community, we know each other for our photography. But each of us has far more going on than taking pictures. And we can use that skill to document - and share if we wish - the other areas of our life. Combining our love for photography with the things we enjoy. I will discuss one such example regarding me on this week's TDS Photography Podcast. I hope you enjoy the show.

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Documenting What Makes You, You

I have lemon trees. Yes, multiple. At the studio, I have a miniature in a wine barrel on the back patio that is wildly prolific and produces the most delicious Meyers. At the house, we have two more small trees. And they seem happy as well.

So this time of year I find myself up to my hip boots in fruit. I have already perfected the art of homemade lemonade using Xylitol as the sweetener. Delicious. Theresa incorporates our bounty into a variety of entrees that enhance their appeal. And yet, there are still more lemons.

So I searched the Internet for interesting things to do with our harvest. And I stumbled upon a recipe for making Limoncello, an Italian liqueur traditionally served chilled as an after-dinner digestive. "That sounds good," I thought. So I endeavored to make a California version with my Meyers.

The basic recipe involves soaking the lemon peels in grain alcohol for a few weeks, then straining, and finally adding simple syrup to sweeten. Limoncello is kept in the freezer and served in petite after-dinner liquor glasses.

Now even though the basic recipe is simple, the proportions are very important. And being the type of guy who strives for the best Limoncello west of the Atlantic, I document everything I do as I evolve the recipe. This is where the documentation comes into play.

For example: the first batch used 600 ML of Everclear 120 proof grain alcohol, the peels from 12 medium to medium-small Meyer lemons, and finished with 275 ML of homemade simple syrup.

But without photographs to accompany my documentation, how do I know in the future what a medium-small lemon looks like? How much peel from each lemon? How do I filter the concoction after infusion? And on and on.

So with each step, I photograph what's happening and label those images as part of Batch 1. And this part is as enjoyable as making the Limoncello itself.

During the weeks required for infusion, I'm on the hunt for cute bottles that would be appropriate for such a delicacy. And since I'm going to be making lemonade with the juice of those lemons, I need to gather all those parts as well.

This past Sunday, on a stormy day in Northern California, I finished the first batch, carefully placed the bottles in the freezer, and we sampled the finished product after dinner. Amazing!

The second batch is already underway. For reference, I have photos of every step from version 1 to accompany my precise measurements. I love the pictures almost as much as the drink itself.

So by now, you've probably figured out that I'm a hobby mixologist. I've created my own drinks from scratch, and have been able to copy others just by tasting them. I can now add Limoncello to my resume. And I have the pictures to prove it.

Capture One Lays Off Staff Amid a 'Significant' Internal Restructure

You can read the entire article at Petapixel.com.

Capture One is undergoing what it characterizes as "significant changes" internally which has resulted in an unspecified number of layoffs at the company. It is at least the second round of turnover since it announced it was switching to a subscription model.

PetaPixel first learned of the layoffs last week, but the company only confirmed them this morning.

"Last Monday we made an internal announcement about significant changes for the Capture One team. These are not actions we take lightly and the people that were affected by them were treated with respect and empathy," Capture One tells PetaPixel.

"Although we have nothing specific to announce today, as the photography industry continues to evolve and we at Capture One make progress with our strategy as a standalone company, we're implementing changes that align our investments with the areas where we're seeing increases in customer satisfaction and traction with our users.

"These changes are difficult, but we're confident they position us better to advance in our mission to provide professional photographers with the most powerful creative and collaboration tools."

The company did not provide details on how many were affected, but PetaPixel has learned that a significant portion of the communications team has been let go. Of note, this is the second time in the last year this particular team has been gutted. Not long after the announcement that the company would be moving to a subscription-only model, most of the public-facing communications team was let go. Around this time, Capture One also ended its contracts with external public relations support.

It is not clear at this time what kind of internal restructure the company is going through or its scale beyond the Capture One's own use of the word "significant," but the last year has been difficult for the company as it has grappled with widespread pushback in response to its announcement that it would move away from perpetual software licenses. It didn't help that the company made the announcement not long after it concluded a 50% off sale on perpetual licenses, leaving buyers feeling as though they had been bait and switched.

The move to a subscription model came with the promise that current customers would be rewarded for their loyalty, but details of that program later revealed it to just be a one-time discount, further raising the hackles of customers.

Spring in Sedona Photography Workshop

April 16-19, 2024 - TDS photographers return to the greater Sedona, AZ area, but this time during the Spring to view the landscape in a whole new way. We will explore iconic locations, picturesque landscapes, mysterious vortexes, and towns frozen in time from the mining days. What a great way to kick off our 2024 workshop season!

You can learn more and reserve your spot by clicking here. Hope to see you in April!

'There is no such thing as a real picture': Samsung defends AI photo editing on Galaxy S24

You can read the entire article on techradar.com

Like most technology conferences in recent months, Samsung's latest Galaxy Unpacked event was dominated by conversations surrounding AI. From two-way call translation to gesture-based search, the Samsung Galaxy S24 launched with several AI-powered tricks up its sleeve - but one particular feature is already raising eyebrows.

Set to debut on the Galaxy S24 and its siblings, Generative Edit will allow users to artificially erase, recompose and remaster parts of an image in a bid to achieve photographic perfection. This isn't a new concept, and any edits made using this generative AI tech will result in a watermark and metadata changes. But the seamlessness with which the Galaxy S24 enables such edits has understandably left some Unpacked-goers concerned.

Samsung, however, is confident that its new Generative Edit feature is ethical, desirable and even necessary in today's misinformation-filled world. In a revealing interview with TechRadar, Samsung's Head of Customer Experience, Patrick Chomet, defended the company's position on AI and its implications.

"There was a very nice video by Marques Brownlee last year on the moon picture," Chomet told us. "Everyone was like, 'Is it fake? Is it not fake?' There was a debate around what constitutes a real picture. And actually, there is no such thing as a real picture. As soon as you have sensors to capture something, you reproduce [what you're seeing], and it doesn't mean anything. There is no real picture. You can try to define a real picture by saying, 'I took that picture', but if you used AI to optimize the zoom, the autofocus, the scene - is it real? Or is it all filters? There is no real picture, full stop."

"But still, questions around authenticity are very important," Chomet continued, "and we [Samsung] go about this by recognizing two consumer needs; two different customer intentions. Neither of them are new, but generative AI will accelerate one of them.

"One intention is wanting to capture the moment - wanting to take a picture that's as accurate and complete as possible. To do that, we use a lot of AI filtering, modification and optimization to erase shadows, reflections and so on. But we are true to the user's intention, which was to capture that moment. "Then there is another intention, which is wanting to make something. When people go on Instagram, they add a bunch of funky black and white stuff - they create a new reality. Their intention isn't to recreate reality, it's to make something new. So [Generative Edit] isn't a totally new idea. Generative AI tools will accelerate that intention exponentially in the next few years [...] so there is a big customer need to distinguish between the real and the new. That's why our Generative Edit feature adds a watermark and edits the metadata, and we're working with regulatory bodies to ensure people understand the difference." On the subject of AI regulation, Chomet said that Samsung "is very aligned with European regulations on AI," noting that governments are right to express early concerns around the potential implications of widespread AI use.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #932, Jan. 30, 2024. Today's theme is "A First Look at the OM System OM-1 Mark II." I'm Derrick Story.

Opening Monologue

Just in case you were wondering, OM System is not sitting on its laurels with the OM-1 that was released in March 2022. They've followed up their compact marvel with the Mark II. And on today's podcast, I'm going to tell you all about its feature highlights and who I think this camera is for. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

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A First Look at the OM System OM-1 Mark II

When you first look at the OM-1 Mark II, you will notice two things. First, the crown badge now reads OM System and not Olympus. The second, practically nothing else has changed on the outside. And if you're an OM-1 owner, that's a good thing because all of your accessories will work on the Mark II, including the external battery grip.

But underneath the hood there are upgrades and an intriguing new feature. Before we get to that, let's take a look at the spec highlights.

• 5-axis image stabilization with up to 8.5 shutter speed steps compensation.
• Eye-level OLED electronic viewfinder, approx. 5.76M dots.
• 3-inch vari-angle monitor (electrostatic capacitance touch panel), approx. 1.62M dots.
• Dust and splash-proof (IP53 rated).
• High-speed cross-type phase-detection AF (1,053 points).
• High-speed contrast AF (1,053 points).
• AI Detection AF - computational photography for identifying a variety of subjects.
• Silent Sequential Shooting SH1 - approx. 120 fps with selectable 60, 100, and 120 fps without blackout.
• 4K video recording and vertical video mode.
• Sensor dust reduction via a supersonic wave filter.
• World's first Live Graduated Neutral Density shooting functionality.
• Can withstand freezing temperatures down to -10 degrees C.
• 50 MP handheld high-resolution shot and 80 MP tripod high-resolution shot.
• Compatibility with UVC (USB Video Class) and UAC (USB Audio Class), allowing seamless connection to a PC for use as a webcam.
• Twin UHS-II SD memory card slots.

Grad ND - A Fascinating New Feature

This technology uses computational photography to replicate the effects of using a half-ND filter, allowing the photographer to control brightness and darkness within the image, much like an external graduated neutral density filter.

Through Live GND shooting, photographers can adjust filter steps (GND2, GND4, or GND8) and types (soft, medium, or hard) in real-time through the EVF or rear LCD. This function allows for customization of the effect's position and angle.

Without the need for physical filters attached to the lens, photographers can leverage half ND effects, even with lenses lacking filter threads.

More AI Autofocus

Developed using deep learning technologies, the AI Detection AF has been enhanced to recognize an extensive array of subjects, including humans, formula racing cars, motorcycles, airplanes, helicopters, trains, birds, and common animals such as dogs and cats. This integration enhances the well-established Face Priority/Eye Priority AF, significantly refining autofocus capabilities. It can accurately identify subjects, even when individuals are in profile, facing away, or obscured by hidden facial features.

Subjects are tracked within the frame, ensuring they remain in focus. The OM-1 Mark II can follow intricate details like driver's helmets or the eyes of birds and other animals, going beyond what photographers could normally do on their own.

Who Should Buy the OM System OM-1 Mark II?

Wildlife and birding enthusiasts are at the top of the list. For example, combined with the new OM SYSTEM M.Zuiko Digital ED 150-600mm f/5.0-6.3 IS lens that provides effective focal lengths of up to 1200mm, and weighs just over 2,000 grams (4.4 lbs), photographers can easily work with this rig all day, no tripod required. And that's just one of the many telephotos available.

The OM SYSTEM M.Zuiko Digital ED 40-150mm f/4 PRO provides an effective reach of 80-300mm and weighs a mere 382 grams (13.5 oz). The f/2.8 version weighs 760 grams (1.67 lb) and accepts both 1.4X and 2X matched teleconverters. Other top-tier options include the Olympus 300mm f/4 PRO and the Panasonic Leica DG Elmarit 200mm f/2.8.

Macro photography is also a strength of this system. There are a variety of optics well-suited for this work. Add the increased depth of field resulting from the Micro Four Thirds sensor, and the OM-1 is a godsend for super closeup photography. Lens options include the OM SYSTEM M.Zuiko Digital ED 90mm f/3.5, 60mm f/2.8, and the 30mm f/3.5 macro optics.

Travel photographers and journalists would also benefit from this system. Rugged design, compactness, and versatility make the OM-1 Mark II perfect for those covering the world while traveling light.

That's not to say this isn't an excellent system for general photography. There are many capable interchangeable lens cameras available these days. But very few combine the strengths of the OM System in such a compact package.

Should OM-1 Owners Upgrade to the OM-1 Mark II?

I'm wrestling with this question myself. I have my OM-1 sitting here on my desk, looking as fresh and new as the day I bought it, and trying to decide if I should invest in the Mark II.

For dedicated Micro Four Thirds photographers who use the OM-1, the Mark II would provide a solid upgrade and allow the original OM-1 to serve as a secondary camera.

The Mark II has improved performance. For example, in Pro Capture mode, the Mark II allows for retrospective capture of approximately 99 frames, an increase over the OM-1's 70 frames. For sequential shooting, the OM-1 Mark II can capture 219 frames in JPEG format or 213 frames in RAW at 120 fps, a dramatic improvement over the OM-1's 92 frames for each.

Add the autofocusing speed improvement with new features such as Live GND and vertical video capture, those could be important upgrades depending on your photography needs. Keep in mind that you can continue to use all of your existing MFT lenses and OM-1 accessories with the Mark II.

The big question is, do these benefits justify the $2,399 price tag? That answer lies between you and your credit card.

The Bottom Line

The OM System OM-1 Mark II is a powerhouse interchangeable lens camera that provides more compact options (thanks to MFT lenses) than its full-frame competitors. The Mark II is especially appealing for serious photographers who venture outside of the studio into harsh environments and changing conditions, and who require the versatility of the vast Micro Four Thirds lens catalog.

Unless you're a stay-at-home kind of guy, or that you really like the cardio workouts that come with lugging lots of gear up a trail, I would say that the latest OM-1 Mark II is for you.

Meike Releases New 50mm F1.8 Autofocus Lens for Z/E Mount for $159

You can read more and place your order on the Meike Global site.

The lens is easy to carry and its images are sharp and clear at any aperture. The band new 50mm/F1.8 uses the newest optical structure, making it able to achieve a large aperture of F1.8 while maintaining miniaturization and lightweight. Multi-layer coating technology is used on both sides of the lens to restore more realistic colors. The lens is not easy to attach dust or stains, and can be easily wiped clean.

The Nikon Z mount is available now. The Sony E mount will be available by the end of February 2024.

Spring in Sedona Photography Workshop

April 16-19, 2024 - TDS photographers return to the greater Sedona, AZ area, but this time during the Spring to view the landscape in a whole new way. We will explore iconic locations, picturesque landscapes, mysterious vortexes, and towns frozen in time from the mining days. What a great way to kick off our 2024 workshop season!

You can learn more and reserve your spot by clicking here. Hope to see you in April!

Why You Should Print Your Photos

You can watch the video and read the article on FStoppers.com

Printing images is a rewarding yet often overlooked aspect of photography. This process transforms digital captures into tangible art, playing a pivotal role in a photographer's creative expression and giving you a meaningful way to display your work.

Coming to you from Simon Baxter, this insightful video begins with Baxter sharing his passion for woodland photography and his meticulous approach to printing. He emphasizes the importance of not rushing the process, allowing images to mature over time. Baxter's philosophy resonates with photographers who view their work as a continual process rather than a series of isolated events. His method of revisiting and editing images based on evolving emotional connections is particularly interesting. This philosophy, treating each step from shooting to printing as interconnected, enriches the final artwork and imbues it with deeper personal significance.

Baxter also highlights the technical aspects of printing, such as monitor calibration and paper selection, underscoring their impact on the final print. His detailed explanation of how different papers can influence the mood and texture of an image provides valuable insights for photographers striving to fully realize their artistic intent. This attention to detail in the printing process is a testament to the craftsmanship that goes into each piece and how even small differences can affect the final output. Check out the video above for the full rundown from Baxter.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #931, Jan. 23, 2024. Today's theme is "5 Upcoming Photography Conferences to Consider." I'm Derrick Story.

Opening Monologue

In a recent edition of my Nimble Photographer Newsletter, I wrote about the dearth of photo announcements at CES 2024. But that doesn't mean there aren't other events that will cater to our desire to learn more and see the latest in imaging equipment. This week, I'll share with you 5 upcoming events that will stimulate your mind and tempt your pocketbook. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

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Podbean Podcasts -- Podbay FM -- Tune In

5 Upcoming Photography Conferences to Consider

Sometimes it feels like all the cool photo shows have gone away. But that isn't the case. And if you'd like to get out among your peers, here are five upcoming events to consider.

Imaging U.S.A. - Jan. 28-30, Louisville, Kentucky

Imaging USA features classes, networking opportunities, and a huge trade show to help you feel inspired and ready to grow your photography business. This year we're bringing all the education and excitement to the Derby City. And to make your experience even more rewarding, pre-con classes are available in the days leading up to the conference.

90+ speakers, 130+ exhibitors

Top Brands on the Expo Floor

• Canon
• Nikon
• Sony
• Capture One
• Fujifilm North America
• Godox
• PlatyPod
• Sigma
• SmallRig
• Tamron
• Zeiss

Three-day all-access pass is $459. Expo only pass is free.

Camera & Imaging Photo Show CP+, February 22-25, 2024, Pacifico Yokohama, Japan

"Nothing Stays the Same" - CP+ is an event where camera fans from all over the world gather to see, touch, and share the joy of photography and video with their friends! For four days from February 22nd (Thu) to February 25th (Sun), 2024, an on-site event held at Pacifico Yokohama and an online event distributed online will be held simultaneously. Anyone can enjoy it, from camera and photography enthusiasts to those who regularly take and edit photos and videos with their smartphones and enjoy their daily lives using SMS.

60+ speakers, 90+ exhibitors

Top Brands on the Expo Floor

• Canon
• Nikon
• Sony
• Epson
• Fujifilm
• Godox
• Lexar
• Lumix
• OM System
• Sigma
• Synology
• Tamron

Admission is free, but you must pre-register for onsite admission.

WPPI, March 3-7, 2024, Las Vegas, Nevada

For five days each year, portrait and wedding photographers and videographers come together in Las Vegas to be inspired. Be a part of this remarkable community - evolve your aesthetic, gain invaluable strategies to grow your business, connect with friends, be dazzled by stories from industry icons and create lasting memories.

130+ speakers, 80+ exhibitors

Top Brands on the Expo Floor

• Capture One
• PlatyPod
• Godox
• Sigma
• Skylum
• SmallRig
• Tamron
• Tenba

Four-day all-access pass is $199. Expo only pass is $49.

The Photography and Video Show, March 16-19, 2024, Birmingham, UK

From long exposure and layering, to business skills and incorporating AI into your workflow, your entry ticket will give you access to more than 350 seminars and live demos, with six stages and theatres to choose from. Led by experts and legends of photography, filmmaking and content creation, be prepared to learn new techniques and approaches; and be inspired to change your perspective on how you create!

100+ speakers, 200+ exhibitors

Top Brands on the Expo Floor

• Canon
• Nikon
• Sony
• Capture One
• Epson
• Fujifilm
• Gitzo
• Godox
• Ilford
• Lowepro
• Lumix
• Manfrotto
• OM System
• Synology
• Skylum
• Tenba

48 pounds for a 4-day pass

Shutterfest, April 2-4, St. Louis, MO.

ShutterFest is an annual photography event that brings together thousands of professional photographers, photo enthusiasts, and industry experts from around the world. This event is unique in its approach to education and community building. Instead of focusing on traditional lecture-style presentations, ShutterFest offers hands-on classes, interactive experiences, and networking opportunities that help attendees develop their skills, build relationships, and grow their businesses.

One of the things that makes ShutterFest so unique is its focus on creativity and hands-on learning. Rather than providing a one-size-fits-all approach to photography, the conference encourages photographers to explore their own unique style and vision. The sessions are designed to help attendees break out of their comfort zones and try new techniques, styles, and approaches to their work. This emphasis on experimentation is what attracts many photographers to ShutterFest year after year.

What else makes ShutterFest so unique? The conference is designed to be a welcoming and inclusive space where photographers of all skill levels and backgrounds can connect, share their work, and learn from one another. This sense of community is built through a variety of events, including group shoots, networking sessions, and social events.

60+ speakers and 30+ vendors

Top Brands on the Expo Floor

• Canon
• Sigma
• Westcott
• Background Town
• Tamron

Registration is $240 for classes and tradeshow.

Las Vegas Criminalizes Stopping For Selfies on Pedestrian Bridges

You can read the entire article on PetaPixel.com

On Tuesday, Las Vegas began enforcing a new ordinance that bans people from "stopping, standing or engaging in an activity that causes another person to stop" on pedestrian bridges and up to 20 feet surrounding connected stairs, escalators, and elevators.

Offenders who violate the measure could face a misdemeanor charge. If found guilty, they could face up to six months in jail or a $1,000 fine.

Clark County officials in Nevada, who voted unanimously to approve the measure earlier this month, say that the ban is not intended to target people stopping to take selfies or tourists pausing to watch and take photos of street performers.

Instead, Clark County officials claimed that the measure is intended to reduce crime and increase public safety by ensuring a continuous flow of pedestrian traffic across the bridges.

"The Pedestrian Flow Zone ordinance will help to ensure our world-class tourism destination remains a safe place for people to visit," Jennifer Cooper, Clark County's chief communications and strategy officer, says in a statement.

Restrictions on the Las Vegas Strip come two months after the Las Vegas Grand Prix -- where pedestrians crowded on bridges to take photos of the event -- and only six weeks before the Super Bowl in February, which is set to draw hundreds of thousands of people for those events.

Spring in Sedona Photography Workshop

April 16-19, 2024 - TDS photographers return to the greater Sedona, AZ area, but this time during the Spring to view the landscape in a whole new way. We will explore iconic locations, picturesque landscapes, mysterious vortexes, and towns frozen in time from the mining days. What a great way to kick off our 2024 workshop season!

You can learn more and reserve your spot by clicking here. Hope to see you in April!

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #930, Jan. 16, 2024. Today's theme is "Looking Back and More, Now 2024." I'm Derrick Story.

Opening Monologue

Every January I close out my personal photo library from the previous year and start fresh with an empty catalog. Not only is this a practical endeavor, it's also an opportunity to acknowledge the highlights of the previous year. Today, I share the benefits of this annual exercise. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

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Apple Podcasts -- Spotify Podcasts -- Stitcher

Podbean Podcasts -- Podbay FM -- Tune In

Looking Back and More, Now 2024

Despite my trials and tribulations in the past with Apple's Aperture, I still create annual libraries and store the neatly bundled catalogs in my multi-level archival system.

Why? It's just the way my brain works. I measure my life's journey signpost by signpost, year by year. Plus, I've discovered some additional benefits to this practice, a few of which I'm going to share today.

The Technical Part

By way of review, I maintain two personal libraries. The first, Photos, is totally automatic. I take a picture with my iPhone, it's added to my Photos library, backed up in iCloud, and that's that.

But I also have a Capture One Catalog. Pictures from my OM-1, X100V, and Nikon Zf are stored and edited here. Compared to the iPhone catalog, these images are more measured, captured in RAW, edited with C1P's excellent adjustment tools, and organized using its catalog tools.

Often, there is some topic duplication between the catalogs. And this is a good thing. Let's take our workshop in Sedona, AZ for example. My iPhone pictures go directly into Photos, while the images from the OM-1 are stored in Capture One Pro.

If I want to locate a shoot from years past, I can rely on the A.I. object recognition tools in Photos to help me remember the month and year. Who knows, I might even have an image there that suits my needs.

But if I want the more "serious" shots, I know exactly which Capture One Catalog to open. It saves me a tremendous amount of time. And it allows me to rotate off my laptop drive those big image libraries from previous years.

The Fun Part

So the technical part is all good and well. Every one of us has our own system for managing and retrieving pictures. But I've discovered an added benefit too. One that I hadn't anticipated.

It's easy to forget how much cool stuff happens in just a single year. Sure, we may still be basking in the glow of an event from last week, or even last month. But a couple of seasons ago. Those can get buried beneath the rigors of day-to-day life.

This short stroll down memory lane reminds me that 2023 was a better year than I realized. And it helps me appreciate the good fortune of my life. Want to join me for a quick trip?

[review highlights from my 2023 catalog.]

As a result of this exercise, I have a much more complete memory of my past year. Sure it had its challenges. There's a substantial 8-week lull when I was laid up with my recovery from the total joint replacement in my hip. But I still managed to take pictures around the house to maintain my sanity.

We are so busy, so distracted, and at times, so frustrated with daily life. It's easy to lose perspective. But looking back on my past year in pictures adds balance to my view of 2023. And it helps me appreciate the good moments in life all the more.

The Camera Accessory That Saved My Workflow? Peak Design Tech Pouch Review

You can read the entire article on FStoppers.com

If you're like me, you have a whole bunch of small photography bits--cables, connectors, SD cards, batteries, and more--in your camera bag. If you were to use a different bag, you'd have to take all of them out and transfer them over. That's how I lived for the first couple of years of my career, and it was awful.

I would always be triple- and quadruple-checking to make sure I had everything, sometimes forgetting which pocket I had moved it to and having to dig around in a panic. That's when I had to find a better way. Enter the Peak Design Tech Pouch.

For months, I started looking at different tech organizers to ideally hold all the random bits that I had between my camera bags. At the time, there were fewer competitors to the tech pouch. What I saw with the others was that they were either more tech/note organizers for office workers carrying far fewer things at once, or they were full sling bags, and I really wasn't looking for either. All I wanted was a simple organizer with photographers in mind that could handle all my random crap and move it seamlessly between bags.

While it is larger than other tech organizers, I find the size just about perfect to fit in the extra space of a camera bag. It's not so big that it's in the way of other gear that you could be carrying. It's also not too small that it can't carry everything that you need it to.

Having used this for a few years now, I can confirm that it is built to last. I try to be gentle with my gear as I like it to last a while, but I definitely don't baby things. Through all the time of use, this bag hardly has a blemish on it, let alone any substantial damage. All the external and internal zips work great, and still keep things dry if it's a rainier day.

Spring in Sedona Photography Workshop

April 16-19, 2024 - TDS photographers return to the greater Sedona, AZ area, but this time during the Spring to view the landscape in a whole new way. We will explore iconic locations, picturesque landscapes, mysterious vortexes, and towns frozen in time from the mining days. What a great way to kick off our 2024 workshop season!

You can learn more and reserve your spot by clicking here. Hope to see you in April!

The 'Millennium Camera' Will Capture Arizona's Landscape for 1,000 Years

You can read the entire article on PetaPixel.com

An experiment organized by University of Arizona research associate and experimental philosopher Jonathan Keats, the Millennium Camera is meant to record an extremely long-exposure image that won't be complete for 100 decades.

The concept of the camera isn't too far removed from the beer can camera that Regina Valkenborgh set up at the Bayfordbury Observatory in the United Kingdom in 2012. In that case, the pinhole-style camera was in place for eight years and one month and captured what was at the time believed to be the longest exposure photo ever made.

If it works as planned, Keats' Millennium Camera will have that record beat by a lot more. It uses a similar pinhole design as Valkenborgh's beer can camera, but has elements made to extend the time the camera will operate. That pinhole leads to a thin sheet of 24-karat gold that will slowly let light through to a small copper cylinder mounted on top of a steel pole. Over the course of 1,000 years, the landscape in front of the pinhole camera will slowly fade a light-sensitive surface that is coated in thin layers of rose madder (an oil paint pigment), The University of Arizona explains.

In 100 decades, future humans will hopefully be able to open the Millennium Camera to reveal a long-exposure image of the area through all of the changes Tuscon will undergo. That is, of course, the hope anyway.

"One thousand years is a long time and there are so many reasons why this might not work," Keats says. "The camera might not even be around in a millennium. There are forces of nature and decisions people make, whether administrative or criminal, that could result in the camera not lasting."

If it does work, however, Keats says that the final image will likely show the longest-lasting features -- like mountains and rocks -- sharpest while the most dynamic parts such as the city itself will be softer. "Sharp" is also used loosely, as the land itself is not completely stable and will experience subtle motion over the extended exposure time.

The Millennium Camera is currently installed on Tumamoc Hill next to a bench that faces west over the Star Pass neighborhood of Tuscon. With it is a small plaque that encourages visitors to imagine what the future holds.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

The Nikkor Z 26mm f/2.8 pancake has been a polarizing lens. Those who really like it, such as myself, appreciate its compactness and terrific image quality. While others think it's too slow focusing and noisy.

26mm Z with included lens hood on a Nikon Zf.

After spending some time with this wide angle on my Nikon Zf full-frame mirrorless camera, I can say that the 26mm has been wonderful for travel, street photography, and events. Let's take a closer look to see what you think.

26mm Z, no lens hood, mounted on a Nikon Zf.

What I Like About the Nikkor Z 26mm

• Compact (0.9" long)
• Wide Angle of View (79 degrees)
• Bright Maximum Aperture (f/2.8)
• Dust and Drip Resistant
• Metal Lens Mount and Solid Construction
• Outstanding Center Sharpness
• Close Focusing Capability Is Very Useful
• Includes Clever Lens Hood and Slip-On Cap
• Looks Fantastic on the Nikon Zf

What I Don't Like About the Nikkor Z 26mm

• Pricy ($496)

Some reviewers have complained about the focusing noise. Yes, you can hear it - not so much on the street, but sitting in a quiet room. So I would say that this isn't an optic for weddings and funerals. But for my purposes, noise isn't an issue.

Another complaint I've read is that it is slow-focusing. For example, if you compare it to the Nikkor Z 50mm f/1.8 S ($626 and 3" long), the 26mm will be slower. It's even slower than my Nikkor Z 24mm-50mm zoom. That being said, I don't think I lost one shot in San Francisco due to its focusing ability. My recommendation is that you don't use it for fast-action photography.

Photography is about tradeoffs - figuring out what you need for a shoot, and what you can live without. In my view, the Nikkor Z 26mm f/2.8 is well-suited for travel photography, urban work, and most events. Its pluses are compactness, a relatively fast aperture, and excellent sharpness.

Bottom Line

Once you recover from having spent $200 more than you would have for the Nikkor Z 28mm f/2.8 lens, you're likely going to be happy with your investment. The 26mm f/2.8 is a gem of a lens. It makes full-frame photography so much more portable. And the images it produces are beautiful.

A Few Pictures with the Nikkor Z 26mm on a Nikon Zf

Photos by Derrick Story.

This is The Digital Story Podcast #929, Jan. 9, 2024. Today's theme is "The Elephant in the Room - Nikon Zf vs Olympus OM-1." I'm Derrick Story.

Opening Monologue

Typically, Micro Four Thirds photographers aren't concerned by new full-frame camera announcements. They know what they have, and they like it. But the Nikon Zf seems to have upset the apple cart a bit. I've been getting mail citing reviews, defections, and the relevance of MFT photography in light of all this. So let's talk about it. Let's go head to head with the Olympus OM-1 and Nikon Zf. Today's top story on the TDS Photography Podcast. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

---

Apple Podcasts -- Spotify Podcasts -- Stitcher

Podbean Podcasts -- Podbay FM -- Tune In

The Elephant in the Room - Nikon Zf vs Olympus OM-1

Let's set the stage a bit for this comparison. The OM System OM-1 was released in March 2022. It has a Micro Four Thirds sensor and is currently selling for $1,999.

The Nikon Zf started shipping in October 2023, employs a full-frame sensor, and is currently available for $1,996.

Even though the two cameras use completely different sensors, they are competitors. They cost about the same, appeal to serious enthusiasts, have appealing body designs, and are packed with the latest that imaging technology has to offer.

But they are very different cameras in many ways too. So let's take a look at their respective strengths and compare them.

OM System OM-1 Strengths

• Telephoto Muscle - Anything over 105mm usually means the OM-1. My favorite combination is the 40-150mm f/2.8 with or without the 1.4X teleconverter.
• Macro Photography - The Micro Four Thirds System is just so good at close-up photography. I have both the 60mm and 30mm macros.
• Inclement Weather - I'm comfortable shooting with the OM-1 in just about any environment. It's a robust companion during outdoor adventures.
• Long Days - If I'm going to be on my feet with gear for the bulk of the day, I want the OM System.
• Carry-On Air Travel - I can put together a kit for an entire trip in a bag about the size of a kid's lunchbox - and have everything I need.
• Clever Technology - Live ND, Live Time, Live Composite, in-camera focus stacking, are all examples of the cool tech OM System includes in their cameras.
• More Lenses - Not only does the Micro Four Thirds lens catalog feature practically any optic that I could need, it also usually has multiple versions of it in different sizes and maximum apertures.

Nikon Zf Strengths

• Street Photography - I know it sounds weird, but I prefer the Zf for street photography and urban exploration. With the pancake 26mm f/2.8 and the compact 24-50mm zoom, the camera has a nice balance and can work just about any angle.
• Low Light Situations - I've never had a camera where I could increase the ISO to 25,600 without a second thought about quality.
• Vintage Lenses - Nothing comes close to the Zf for vintage lens work. With the FTZ II adapter, I can use my Steve McCurry 105mm f/2.5 tele one moment, and the wonderful Nikkor G 24-85mm zoom the next. With no crop factor to contend with, the lens I put on there is the lens I get.
• Portrait Assignments - I had been using the Nikon D610 for portrait work, a camera that I still very much like, but the Zf is an entirely different planet. Features like built-in Skin Softening and Portrait Enhancement make the job so much easier.
• Aestetics - In my opinion, only the Olympus PEN-F rivals the handsome looks of the Nikon Zf.

Why Switching Doesn't Make Sense

I could never imagine a scenario when I would sell all of my Olympus gear to bulk up the Nikon Z system. For me, it would be like saying that I'm going to sell my pliers to buy a screwdriver.

But depending on what type of photographer you are, you may feel that you need a little bit of both. I realize that this is a total luxury. But as long as I'm traveling for photography workshops, covering events, and working in the unpredictable outdoors, I will be using my OM-1 system.

At the same time, I loved shooting with the Nikon Zf in San Francisco, capturing portraits with it for a recent article, and walking into a darkened haunted house, then emerging with incredible shots for the customer.

I wouldn't recommend investing in pricy, hefty full-frame telephotos for the Z System. Compact wide angles and short zooms are a better fit. When it's time to go to Safari West this coming Autumn for a workshop, I'll be packing the OM-1 with 40-150mm f/2.8 zoom, and the 1.4X teleconverter.

Now, I think OM System can quiet a lot of this chatter by releasing a great camera (or two) in 2024. In the meantime, if you own an OM-1 and are happy with it, ignore the switchers. And if your budget allows for another camera, I think the Zf would be a lovely complement to your existing system.

Basic Lens Kit for Each Camera

For the OM-1, I have a super-compact kit that includes the 14-42mm EZ Olympus zoom, Panasonic Lumix G X Vario 12-35mm f/2.8 II, 45mm f/1.8 Olympus prime, and the 35-100mm Panasonic zoom.

For the Nikon Zf I'm packing the 26mm f/2.8 pancake, 40mm f/2.0 SE, 24-50mm compact zoom, and the Nikon G 24-85mm zoom with the FTZ II adapter.

How To Turn Your Apple Watch Into A Camera Remote And Timer

You can read the entire article on SlashGear.com

How many times do you use your iPhone camera in a day? If you're a photography enthusiast, content creator, or just someone who loves collecting snapshots of their favorite memories, you've probably answered "a lot." It's no surprise, though, considering the quality of the output and the many nifty photo editing features built into the iPhone. However, if you're using your iPhone camera a lot, then you're probably also familiar with the all too frustrating problem of wanting to pose a few meters away but being unable to run back and forth to set up your iPhone's camera timer�over and over. It can be quite a chore no doubt, especially when you're out and about and don't have the luxury of bringing a tripod with a remote.

Fortunately, the Apple Watch has your back. This versatile device on your wrist can actually double as a camera remote and timer for your iPhone, so you won't have to waste a good photo or video opportunity ever again. Here's a quick guide on how to use it as such.

Spring in Sedona Photography Workshop

April 16-19, 2024 - TDS photographers return to the greater Sedona, AZ area, but this time during the Spring to view the landscape in a whole new way. We will explore iconic locations, picturesque landscapes, mysterious vortexes, and towns frozen in time from the mining days. What a great way to kick off our 2024 workshop season!

You can learn more and reserve your spot by clicking here. Hope to see you in April!

Follow Up to My Escape to San Francisco

During last week's podcast I discussed how I had come down with a serious case of cabin fever, and my plan to overcome it. I'm happy to report that the therapy treatment in San Francisco solved the problem.

If you want to read about my adventure, and see all the pictures, check out this free link to my article titled, 26mm and Be There.

It's amazing how therapeutic a photo shoot can be.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #928, Jan. 2, 2024. Today's theme is "All Dressed Up with Nowhere to Go" I'm Derrick Story.

Opening Monologue

I have just taken my 100th portrait of the cat. All the blooms have fallen off the Christmas Cactus in the window box. As I sit here watching the rain outside, surrounded by all of this great camera gear, I'm jonesing for a photo adventure. But not today. How I plan to cope with my internment is the lead story in today's TDS Photography Podcast. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

---

Apple Podcasts -- Spotify Podcasts -- Stitcher

Podbean Podcasts -- Podbay FM -- Tune In

All Dressed Up with Nowhere to Go

I feel like one of those guys with an electronic ankle bracelet, wandering around the studio with a Nikon Zf around my neck looking for something compelling to photograph.

Now I know how the cat feels. I watch her explore every corner of the living room in search of something to play with. Sometimes she lucks out and finds an unlucky bug. Poor little bugger. His minutes are numbered.

So I take a picture of the cat. She looks for spiders. And the rain keeps pouring down.

Don't get me wrong. I'm thankful for the rain. It is filling our reservoirs and adding fresh water to my open barrels in the backyard. And sometimes I even take pictures in the rain. But it isn't really fun. And it doesn't last for long.

I've figured out all sorts of cool things during my interment. I've adapted my favorite Pentax lens, the Pentax HD DA 70mm f/2.4 Limited Lens, to my OM-1. It's going to be fantastic for landscape and portraits with its 140mm equivalent focal length on my favorite all-time cropped sensor camera. But not today.

I've been testing the amazing NIKKOR Z 26mm f/2.8 pancake lens on the Nikon Zf. The combo is so addictive that I walk around the studio with it all day. But this thoroughbred needs to run. And today is not that day.

I've reorganized both of my camera kits a dozen times. Should I include the 45mm f/1.8 or the 45mm f/1.2 with the OM-1? Is there enough room for both the 40mm and 50mm in my Nikon bag? Maybe I should start over.

I even pulled out all of my tripods yesterday and started switching their heads. Now I have a Joby head on the Induro and the Induro head on the Manfrotto. Anything other than a Manfrotto head is an improvement.

Finally, after this low point, I decided that I needed to do something meaningful. And fortunately, an opportunity presented itself.

Theresa gifted me and the boys tickets to a Saturday Warriors game. I checked the weather report, and there's no rain that afternoon. So I got out my street photography black shirt, oversized jacket, and gray Warriors cap. I tucked the Zf with 26mm pancake into a softball-sized shoulder pouch that I could wear inside of my jacket, and put the iPhone 15 Pro Max in my front jeans pocket.

I'll arrive in the City a couple hours before I'm to meet the boys and engage in some serious photography. Then I'll catch the Metro T down to Mission Bay to meet the boys. My super compact pouch meets the bag requirements for Chase Center, and the short lens won't get me in trouble.

The three of us will then enjoy the game, and then I will reverse course back to the parking garage at the north end of The City, shooting pictures all along the way.

If this plan works, I will have much to report next week. Stay tuned. (I'm totally excited!)

Why One Photographer Prefers Micro Four Thirds

You can read the entire article on FStoppers.com

How Websites Have Become Practically Unuseable

A short commentary.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Smartphones have a lot to do with the decline of fill flash. Their wimpy LED lights are no match for intense outdoor lighting. Additionally, many mirrorless cameras don't have a built-in flash. So even if you wanted to use a strobe, you probably don't have one handy.

The problem is, there are many lighting situations where fill flash will improve your pictures. And with so many affordable external units on the market, such as the retro Godox Lux Senior, it's not a deal breaker to have a compact unit available when needed.

Plus, some cameras do have built-in flashes, such as the popular Fujifilm X100V.

So let's take a look at those situations where fill flash can improve your pictures.

Strong Backlighting

Nikon Zf mirrorless camera, Nikkor Z 24mm-50mm zoom, Godox Lux Senior Flash, Aperture Priority set to f/6.3, 1/60th, ISO 160.

Intense backlighting can fool the best of camera meters, resulting in an underexposed subject. And if you spot meter just on the subject's face, then the entire background gets totally blown out.

But, if you let the camera dictate the exposure, then add a fill flash, you get both background and subject, plus a nice twinkle in the eyes.

Strong Side Lighting

Harsh side lighting is almost impossible to control without help, as shown on the left. Adding fill flash to this scene, as shown on the right, helps tremendously.

When sunlight is pouring in from the side, it's not a good look for people shots. And sometimes you can't reposition the subjects, such as events like wedding receptions. Fortunately, adding fill flash will balance out the lighting.

Fujifilm X100V camera, NISI Black Mist 1/4 filter, Built-In Flash TTL Mode, Flash Exposure Compensation -0.7, Program Mode (1/200 at f/2.6), ISO 200.

This is a situation where built-in flashes, such as the one included in the X100V, can do an excellent job. I recommend using flash exposure compensation to dial back the output to -0.7. That provides a more natural look.

Brighten Up Dull Lighting

My sincere thanks to Victoria for her fantastic work on the other side of the camera. Fill flash with the Nikon Zf. All photos by Derrick Story.

When your subject is in shade, the lighting is even, but can be somewhat dull. You can brighten up expressions with a bit of fill flash, as shown above. Again, dial down the output a bit to render a more natural portrait.

Final Thoughts

Using a flash can help us solve difficult lighting problems. But just as important, supplemental lighting makes our subjects look good. And that's why I think it's a technique worth exploring.

This is The Digital Story Podcast #927, Dec. 26, 2023. Today's theme is "The Fourth Ingredient in a Recipe for Success." I'm Derrick Story.

Opening Monologue

I was thinking about all of the great tools I have access to for my photography - sophisticated cameras, intelligent software, tons of information. And if I were only after good pictures, that's all that I would need. But what if I wanted something more? Special images require a fourth ingredient, and that's the subject of today's lead story. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

---

Apple Podcasts -- Spotify Podcasts -- Stitcher

Podbean Podcasts -- Podbay FM -- Tune In

The Fourth Ingredient in a Recipe for Success

This churn began a little over a week ago when I was out for a portrait shoot in a local park. It was a beautiful late afternoon with the sun hanging low in the sky. I was working with Victoria, who had helped me out back in the Lynda.com days. I needed illustrations for an article on Fill Flash that I was writing for Live View.

I opted for the Nikon Zf and the Fujifilm X100V for the assignment. The X100 was going to be an example of cameras that have built-in flashes. And the Nikon was going to host the Godex Lux Senior external flash I had discussed a couple of weeks ago.

The point of the article was that I could have taken all of the pictures with any camera or smartphone letting the device make all of the decisions, or I could intervene by adding flash and finding the perfect output that still looked natural, but smoothed out contrast and filled in shadows.

I would start at each location by looking at the lighting and how it was illuminating Victoria, then ask myself, what could I do to make it better? In the case of the X100V, I used TTL flash, but dialed it down two-thirds of a stop. With the Nikon, I started with manual flash at half power, then increased or decreased output depending on how I liked the first exposure.

As I worked each scene, it dawned on me how much I liked this process. I own four of the most sophisticated cameras in the world - iPhone 15 Pro Max, OM System OM-1, Fujifilm X100V, and the Nikon Zf. Each one of them is capable of producing perfectly acceptable photographs in auto-everything mode.

And I love that technology. I would not give up a single feature in any of these cameras - subject detection, pro capture, sensor-based image stabilization, high ISO performance, film simulation, wireless communication, portrait enhancement, skin smoothing, and the list goes on and on.

But what really excites me is that these tools are at my disposal for when I choose to use them. I make the creative decisions, not the camera.

During that photo shoot in the park, I knew I didn't need to tap portrait enhancement or skin smoothing on the Nikon because of the lighting I had created, and Victoria's complexion didn't need it. With the X100V, I added the NISI Black Mist filter for a lovely rendering. The shots from the two cameras are different, and I like them both.

The same is true during post-processing. A.I.-powered tools are my able-bodied photo assistants, but not the creator. I refuse to relinquish control. I decide when to apply AI Noise Reduction or any of the other options.

I believe these are the best of times for photographers. We have access to 1) amazing gear, 2) sophisticated software, and 3) tons of information. But there's a fourth ingredient. Us. It's our contribution to the equation that makes a creation personal, something truly unique.

Years ago I heard this story about a lady named Kate who went back to her butcher who had recently sold her a cut that she used for corned beef. She stood at the counter and explained how difficult the meal was to chew.

The butcher respectfully listened to Kate tell her entire story. When she finished, he paused for a moment, then said, "But aye Kate, there's a little in the cookin' of it."

The "cookin' of it" is our great opportunity as artists. We have the smartest tools available to help us. But remember, they work for us, not the other way around. Let's not relinquish our power to make something truly spectacular.

Author's Note: You can see the pictures from the photo shoot and read about the technique I used by visiting The Endangered Camera Flash on Live View.

The Beloved Photography Gear That Nobody Uses Anymore

You can read the entire article on Petapixel.com

iPhone 15 Pro Wins Best Camera Award 2023

You can read the entire story on FStoppers.com

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #926, Dec. 19, 2023. Today's theme is "5 Photography Things I'm Thankful for in 2023." I'm Derrick Story.

Opening Monologue

As we bring a tumultuous 2023 to a close, photography has once again been my island of sanity. It's the place where I can focus on the positive, create beauty, and share in the success of others. As I look back on the year, there are five things that stand out. And I'm going to discuss each of them on today's TDS Photography Podcast.

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5 Photography Things I'm Thankful for in 2023

Thank goodness for photography! I can't tell you how many times I've thought that over the past year. Here are five reasons why.

• The Launch of Live View Photography Publication - When a handful of us from the TDS community got together and debuted Live View, it put me back in the editor seat for the first time since my O'Reilly Media days. And I love it. Since April 2023, we have published more than 90 top-quality articles. Our photographer-writers are as good as anyone online. And I'm really proud of the work we've done in 2023, and optimistic about what's to come in 2024.
• The Full Return of In-Person Photography Workshops - We started to inch our way back in 2022, but it was nerve-wracking. Finally, in 2023 we were able to convene without masks and antibody tests. That doesn't mean that COVID has left us, but we have learned to live with it, protect ourselves, and still enjoy community activities. All three in-person workshops were and enjoyable success in 2023, and I can't wait to hit the road again next year. You can learn more about our upcoming workshop season here.



• Adobe Finally Opens Up Lightroom to Local Folders - The problem with the app formerly known as Lightroom Creative Cloud was that it was inextricably tied to the cloud. Finally, late in 2023, Adobe took the handcuffs off Lightroom, letting us use it for pictures on our local drive. This changed everything for me. And I'm so glad I can now use Adobe's modern version of Lightroom the way that I want. You can read about all of the updates here.
• Nikon Releases the Zf - Because I'm a film photographer as well, I have lots of vintage glass that I want to use on digital bodies. But there wasn't a full-frame mirrorless that called to me, that is, until Nikon released the Zf. This is such a beautiful, intelligent camera that cheerfully accepts all of my classic glass at their native focal length. In addition to my OM-1 for travel, and the X100V for street, I now have the Zf for those mix-and-match personal projects. And I'm having a blast. You can learn more about the Nikon Zf here.
• The Blossoming of Our Online Community - We've had the Inner Circle for a while now, but 2023 is the year that this group reached critical mass and became the vibrant online community that I had always hoped. Every day I check in to see what's going on and what people are talking about. My vision was always to provide a safe place for photographers and artists to interact without the distraction of questionable ads or flamethrowing malcontents. And now we have it. And in 2024, as new members join us, it's only going to get better. You can sign up for the Inner Circle here.

There's more, of course, but these 5 things rise to the top. And it has not escaped my attention that this community is at the heart of much of this. Thank you so much!

Luminar Neo Adds Generative Expand to Its Trio of New AI Tools

You can read the entire article on FStoppers.com

Skylum has completed its trilogy of new Generative AI tools with the addition of Generative Expand. The company has already released GenErase and GenSwap.

The company says this new GenErase tool "empowers users to break free from traditional aspect ratios and add a new dimension to their original compositions. With GenExpand, you can effortlessly extend the boundaries of your photos, whether you're creating panoramic landscapes for vast mountain ranges, serene lakes, etc. or want to give your favorite images more breathing room to stand out against a beautifully balanced background."

Adobe offers something similar in Photoshop, and before that, they had Content Aware fill that accomplished something similar, but without advanced AI, the result could often be unsatisfying because the technology repeated parts of images it found to complete the fill.

In this example provided by Skylum, you can see a landscape expanded in width and the AI creates a believable topography expansion that matches well with the original photo.

Now most photographers, myself included, would wonder why any photographer would shoot an original image that cramped and without context of the rest of the landscape, but there's no doubt the technology works can provide a believable expansion of the image at first glance.

This technology seems interesting, but not very useable on higher resolution images. My image experiments were using a Sony a7 IV, and I saw these effects on multiple images mostly taken outdoors. Now, I'll repeat I was on a beta, and the release version may be better. If this review needs a follow up, I'll provide one.

I also think part of this lower resolution problem is related to having potentially thousands of people hammering on rendering servers at the same time and companies limiting bandwidth. Still, that's a problem for the people who offer the feature to solve. If I'm going to use this technology on occasion, I want the best possible image quality.

I would expect and hope that as the technology gets better we'll see better results. Luminar Neo is a capable image editor, and Skylum has their fair share of pioneering efforts. So, I don't mean to overly criticize Skylum. I use Neo all the time in my landscape work, and it's an excellent product. I appreciate their pushing the boundaries which they often do. I just don't think GenExpand is a home run yet, but it will be useful to some photographers in less demanding use cases. In my examples, the images looked pretty good at 1x, but anyone looking closely will see the problems.

The 2024 TDS Photography Workshop Season

Gift Certificates are available for all of our workshops! Just send me an email at dstory@gmail.com, and I'll send you a personalized certificate right away.

You can see all of the workshops and reserve your spot at thenimblephotographer.com

I've just announced six new workshops for next year - 3 online, and 3 in-person on location. All events are open for registration right now. Here's what's going on.

Photo Critique and Building Your Portfolio - Online - Feb. 2024

Spring in Sedona, AZ - In-Person - April 2024

Infrared Photography - Online - June 2024

Inkjet Printing for Photographers - Online - August 2024

Durango, CO and Mesa Verde National Park - In-Person - Oct. 2024

Safari West and Wine Country Experience in Sonoma County - In-Person - Nov. 2024

Reserve Your Spot Today

Most of our workshops currently have open seats. But typically that doesn't last for long. So if you want to join us in 2024, and I hope you do, visit the Nimble Photographer Workshops Page and reserve your spot. I hope to work with you in 2024!

What did iOS 17.2 do to my iPhone 15 Pro camera? Did the 5x telephoto get better?

You can read the entire story on DigitalCameraWorld.com

Apple's latest update for the iPhone, iOS 17.2, boasted some headline changes but perhaps the most interesting for photographers is the improved telephoto camera focussing speed. The other big photography feature is support for taking spatial video.

Neither of these will garner the most attention, though. The biggest new software change is the arrival of the Journal app, "a new app to reflect on everyday moments and life's special events" which might also be of some interest to those looking to better integrate their photos with words they write and GPS data from hikes in the hills, for example.

Back to the camera. One of the best features that goes unnoticed by most users of the iPhone is its LiDAR, a distance sensor that also helps the focusing system stay very fast. This doesn't work at longer distances, however. Similarly, the tele camera doesn't boast 100% focus pixels, which the wide and main cameras have, so it is the weakest of the three when it comes to focusing (though still one of the best camera phones even before this update).

Apple specifically describes the iOS 17.2 focus speed improvement as kicking in "when capturing small faraway objects on iPhone 15 Pro and iPhone 15 Pro Max" and I've got to say it does feel quicker, in lower light and otherwise, though I have to admit to no idea what is meant by a 'small' object. I've tried this on my iPhone 15 Pro Max with its 5x camera, but the improvement will also affect the 3x camera in the iPhone 15 Pro.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.