One of the apps that generated chatter at the recent Macworld/iWorld event was Handy Photo for iOS ($1.99). And for good reason. This image editor is chock-full of powerful tools, is easy to use, and sports an attractive user interface.

When you first launch the app, you're greeted with a friendly welcome screen that asks you what you want to do: take a picture or open one from your gallery. I selected a shot from my Photo Stream that I had captured this morning with the iPhone. The image appears onscreen waiting for you to tap the hand in the upper right corner to select your next action.

I typically start with cropping, so I picked the Magic Crop tool. By doing so, options for that tool are available in the lower left corner. Pick the particular action you want, and apply it with your finger tip. Image editing categories to choose from include: Tone & Color, Retouch, Clone Stamp, Move Me, Filters, Textures, Magic Crop, and Frames.

They're all relatively easy to figure out, but if you need help, return to Handy Photo Home, and tap on the Tutorials button. They've posted YouTube videos for their tools that show you how to proceed. Once you've learned a new technique, you can return to the app and apply it.

Depending on the device and the processing power that you have on it, Handy Photo has some pretty robust file handling features. For example, they list: 100% size image editing, up to 36 MP image handling, RAW format support. Here's the breakdown listed device by device:

• 5 MP - iPod touch 4th Generation / iPad
• 10 MP - iPhone 4 / iPhone 4s / iPod touch 5th Generation
• 15 MP - iPad 2 / iPad mini
• 36 MP - iPhone 5 / iPhone 5s / iPhone 5c / iPad 3 / iPad 4 / iPad Air

The images of the resolution higher than maximum allowed will be automatically resized.

The Bottom Line

Handy Photo is an excellent value for $1.99. The image editing tools are powerful, and there's quite a variety of them. The application itself is easy to use. And you can save the pictures back to your camera roll or upload them to Twitter or Facebook. All in all, I really enjoyed the app and I'm going to keep it on my iPad.

This product has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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Part of life on the road is eating alone. One of the ways I make the best of this situation is to take my camera to dinner.

I travel light in these situations, packing my mirrorless in the Walking Man Shoulder Bag or a pouch such as the Lowepro Dashpoint 30, as shown below.

Having my camera with me doesn't help during the meal itself. But when I'm alone, I discover that I'm more attuned to my surroundings before, during, and after eating. Suddenly I see shots, and am willing to work them, that I might have missed before. Here's a shot I captured while having my after-meal coffee.

So yes, it might be a bit lonely during the entree. But by taking my camera to dinner, I've discovered that desserts can be fantastic.

You might also enjoy Table for One on The Nimble Photographer.

The Walking Man Shoulder Bag and Lowepro Dashpoint 30 have a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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Figuring out how to carry a professional quality tripod in my Lowepro Urban Reporter camera bag wasn't an easy trick. That is, until I discovered the MeFoto DayTrip tripod ($119).

This sturdy set of sticks folds down to 9.4" and weighs only 1.8 pounds. Yet it can handle up to 8.8 pounds and extend to 24" high. I can work with it on the ground for macro photography and landscape, or set it on a table, chair, newspaper stand, or any other available surface for more height.

The DayTrip's variable-angle adjustable legs allow for work on uneven surfaces. The included ball head with mini Arca Swiss quick release provides quick adjustments with oversized knobs for easy gripping.

The MeFOTO DayTrip is beautifully crafted. The aluminum components are nicely finished with attractive color accents in red, black, orange, titanium, blue, green, white, chocolate, yellow, purple, gold, or hot pink. I personally love the red model.

All of the adjustment points are precise and easy to use. The ballhead is removable, so you can add a full size Arca Swiss head, such as the Joby Ballhead X. And if you need a super low angle, the center column is reversible.

iPhone and Android photographers may want to add the SideKick360 Smartphone Adapter ($49) to their MeFOTO kit.

The SideKick360 has an Arca-Swiss Style Base (full size), three 1/4"-20 mounts, and one 3/8"-16 mount. The bullhead adjuster allows for a variety of positions. The SideKick360 can stand on its own, or be mounted on any tripod. It is constructed of the same high quality aluminum with oversized knobs and the DayTrip tripod.

The MeFOTO tripod fits nicely inside the Urban Reporter 150. I replaced the original full size camera box insert with another that was only about two-thirds as wide. This opened up a nice space inside the bag so I could pace the MeFOTO tripod upright.

If you need a bigger tripod, MeFOTO also makes the GlobeTrotter ($209, 64" high) and the RoadTrip ($189, 61" high).

But for me with my mirrorless kit in the Urban Reporter, it's the MeFOTO DayTrip. It's light, compact, and quite beautiful.

The MeFOTO DayTrip has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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If you love Leica glass, then consider shooting with a micro four thirds camera. Why?

By doing so, you can enjoy the brand and quality without tanking your credit card. Here are a few examples:

The just-announced Panasonic/Leica 15mm f/1.7 sells for $599. That is not cheap by any means. But the Leica 35mm f/2.5 Summarit-M sells for $1,950.

I own a Panasonic Leica DG Summilux 25mm f/1.4 ASPH prime that currently costs $529. I love this lens and use it often on my OM-D cameras. The Leica Normal 50mm f/1.4 Summilux M Aspherical prime will currently set you back $4,250.

A lens that I'm lusting after, the Panasonic Leica DG Nocticron 42.5mm f/1.2 ASPH (with image stabilization) is listed for $1,598. That's why I don't have it (yet). But for perspective, the Leica Telephoto 90mm f/2.0 APO Summicron M Aspherical will hit your credit card at $3,995.

By comparing the different mounts, you can clearly see there are differences between the micro four thirds models and the optics built for Leica cameras. That being said, the image quality I get with my 25mm Leica on an OM-D E-M1 is wonderful.

For years I wanted to own and shoot with a Leica lens. But the investment was cost-prohibitive for my photojournalist salary. But thanks to micro four thirds photography, I have a great camera and beautiful optics that I can afford, including a Leica or two.

These Leica lenses have a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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This week on The Digital Story photography podcast: The Olympus OM-D E-M10 Camera Review, new Leica 15mm f/1.7 lens for Micro Four Thirds, and Big B&W - All of this and more on today's show with Derrick Story.

Story #1 - The Weekly Update: Samsung NX mini is announced. They write, "If nothing else, the NX mini is another option in a growing category of super-small interchangeable lens cameras. The Pentax Q7 and Panasonic GM1 appear to be the enthusiasts' best options in the field, while the mini joins the Nikon 1 J3 in targeting beginners." (DP Review)
In other news, Kodak is back in the news with the Pixpro S1 micro four thirds camera. (ePHOTOzine).
And finally, We have a tempting new Leica DG Summilux 15mm f/1.7 ASPH to resist. This micro 4/3 optic is equivalent to a 30mm lens on a 35mm camera, and features 9 elements in 7 groups, including 3 aspherical elements. Panasonic's Nano Surface Coating technology is adopted to minimize reflections. Should sell for about $550. (Photography Blog).

Story #2 - The Olympus Olympus OM-D E-M10 Hands On Review ($699 for body only)

I'm testing this little gem with the new Olympus 14-42mm f3.5-5.6 EZ zoom ($349) and the Olympus Lens Cap Auto Open ($39). Highlight features include:

• 16MP Sensor, TruePic VII Processor
• Built-in Wi-Fi, Popup flash
• 3-Axis IS (with auto selection)
• 81 point Fast-AF, 8 FPS
• No anti-aliasing filter
• No weather proofing
• Uses same battery as the PENs, no the other OM-Ds
• No Accessory port
• Optional ECG-1 External Camera Grip available
• Live Composite, 2 HDR modes and HDR Bracketing, Color Creator, 999-shot Intervalometer, Time-Lapse Movie, Photo Story, Hand- Held Starlight Mode, Art Filters

I discuss what how this camera fits into the OM-D family and my shooting experiences with it.

Story #3 - From the Screening Room - Joseph Linaschke: Artist in Action: Joseph Linaschke's Large Scale Black-and-White Photograph. You might know this week's featured artist through his Aperture Expert website and work. But Joseph is also a fan of B&W printing. He combines these passions in this week's Screening Room.

You can watch Joseph take his images from Aperture to the wall by visiting the TDS Screening Room at lynda.com/thedigitalstory. While you're there, you can start your 7 day free trial to watch other photography titles, plus every other topic in the library.

Story #4 - The Nimbleosity Report - My 3-day event coverage with the Urban Reporter 150 and mirrorless cameras.

Virtual Camera Club News

Workshop News: The Sonoma Coast Photography Workshop is scheduled for August 22-24, 2014. And the dates are set for the Fall Color with Safari West Workshop, October 24-26, 2014. You can learn about them both, plus request a reservation form by visiting the TDS Workshops Page and using the "Send Me Info" box.

Lowepro Pro Roller x-200 Giveaway: Follow Derrick_Story on Twitter, TheDigitalStory on Facebook, or DerrickStory on Instagram, then by March 31, 2014, send an email to: derrick@thedigitalstory.com with the Subject line: Roller Giveaway and your name and social network addition in the body of the email. Please include your shipping address.

Photo Assignment for March 2014 is HDR.

If you haven't done so already, please post a review for The Digital Story Podcast in iTunes.

BTW: If you're ordering through B&H or Amazon, please click on the respective ad tile under the Products header in the box half way down the 2nd column on thedigitalstory.com. That helps support the site.

Listen to the Podcast

In addition to subscribing in iTunes, you can also download the podcast file here (32 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

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SizzlPix! - High resolution output for your photography. You've never seen your imagery look so good. SizzlPix.com. SizzlPix! now is qualified for PayPal "Bill Me Later," No payments, No interest for up to 6 months, which means, have your SizzlPix! now, and pay nothing until August!

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I just read this juicy rumor on PetaPixel that was to tasty to pass up. They are reporting that Sony Has a 'Completely Different' Medium Format Camera in the Works (One of their sources was SonyAlphaRumors.).

"Does that mean we'll be seeing an RX style fixed lens MF camera? Maybe something more portable with a new lens mount? Your guess is as good as ours, but SAR did get one other very exciting bit of information: this camera will be cheaper than all the other CMOS MF cams that it is supposedly not competing with."

Who knows what Sony is up to. But if they could make digital medium format photography affordable, then that would change the landscape.

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You can use mirrorless cameras for professional event coverage.

For the 3-day Artisan Cheese Festival in Petaluma, CA, I'm using the Olympus OM-D E-M1 and the Olympus OM-D E-M10 with a handful of lenses including the Panasonic Lumix G X Vario 12-35mm f/2.8 zoom on one body and the Olympus M.Zuiko Digital ED 75mm f/1.8 lens on the other.

I'm transporting my gear, including an iPad mini, in the Lowepro Urban Reporter 150 Camera Messenger Bag (which is on sale now for $85).

The entire rig is very light and extremely powerful. I can work all day without tiring, and it's easy to navigate among crowds with the svelte messenger bag.

Top Chef Louis Maldonado. Photos by Derrick Story.

In the early days of mirrorless cameras, there was a concern that they didn't look "professional" enough. But that hasn't been a problem for me. Every now and then I have an entertaining conversation that starts with "So why don't you use Canon or Nikon for your work?" I say that I do, but not every job. I like to choose the gear that works best for what I'm covering. It usually turns out to be a nice little chat

When I can, I like to capture with existing light. I feel the shots look more natural. But I do carry a flash for those times that it's needed. Even then, I try to bounce and reduce the flash exposure one stop.

Will I use this rig for every shoot? No. My DSLRs are still very important to me. But I don't have to use them exclusively for professional work. And that's the difference mirrorless has made.

This rig has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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The new Olympus 14-42mm f/3.5-5.6 EZ zoom is a truly fun optic.

The motorized zooming feature can be controlled with an "easy to grip" ring on the lens barrel, of via the Olympus Share iOS app (as I did in this video). The optic automatically extends when you turn on the camera, and retracts when you power down. This provides a nifty compact camera experience, even though this is a serious interchangeable lens system model.

For even more fun, however, you might want to invest in the Auto Open Lens Cap that reveals the front optic on powering up, and protects it when you turn off the camera.

Add it all up, and you have a 28mm-84mm (equivalent) zoom that is less than an inch long and weighs only 3.2 ounces, can be controlled remotely with your mobile phone, and accepts a nifty auto lens cap accessory.

What's not to like?

This product has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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One of the strengths of the Micro Four Thirds system is its substantial catalog of lenses. Olympus has added a dash of fun, and provides some help in choosing the right optic, with its Lens Selector Guide.

Choose the category you're interested in, such as portraits or macro, and the camera body you're using. The selector presents you with its recommendations, complete with images captured with those lenses.

The Olympus Lens Selector is quite handsome and well implemented. A great way to spend a coffee break.

Join me on my Instagram site as I explore the world of mobile photography. And now Instagram features 15-second movies too.

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I just read a post on Pop Photo about the X-Rite ColorTRUE Mobile App. The goal is for photographers to be able to calibrate their iPad screens for presentations. My question is: "how necessary is calibration for your mobile device?"

For years, we've been publishing our images on web pages for the world to see. We prepare them as best possible. But once they hit someone else's monitor, we have no control over their calibration, luminance, or resolution. During this period, photography has grown in popularity.

The iPad and its kin present us with another opportunity to share our work. I know for a fact that all of my mobile devices and computer monitors are not in absolute sync when it comes to color and tone. In a perfect world, I would love for everything to match.

But the fact of the matter is, my images look good on each individual device. Overall, the color, contrast, and sharpness are pleasing to the eye. Plus, I'm showing images in a variety of lighting conditions (mobile device!); there's no way I can calibrate for all of those scenarios. So, for 95 percent of my sharing, this uncalibrated workflow will have to suffice.

I understand that there are photographers who need precise color representation on their mobile devices. And maybe they have more control over the ambient lighting conditions. For them, the X-Rite ColorTRUE solution might help.

I'm curious to hear if you feel the need to color calibrate your iPad? If you want to share your thoughts on this, please visit our TDS Facebook page where this story will be posted. You can leave a comment there.

Join me on my Instagram site as I explore the world of mobile photography. And now Instagram features 15-second movies too.