This is The Digital Story Podcast #953, June 25, 2024. Today's theme is "How to Buy an Infrared Camera." I'm Derrick Story.

Opening Monologue

Infrared photography is exciting and is an excellent way to get the creative juices flowing. But finding the right camera for you might appear daunting at first. There are so many options! Fear not. After today's TDS Photography Podcast, you will know exactly what to look for. I hope you enjoy the show.

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How to Buy an Infrared Camera

This week we have class presentations for our Infrared Photography Workshop. More than 20 participants will share their favorite IR images. We will see everything from some of the most stunning B&W that you can imagine, to other-worldly colors and compositions. And the cameras used to create this art are as varied as the photographers themselves.

Choosing the right camera for infrared photography can seem overwhelming at first. Can you use your existing camera? Should you get one converted? And if you do get a converted camera, which options should you select?

Basic Understanding of Infrared Photography

Let's start with a basic understanding of what infrared photography is. Here's what our friends at Kolari Vision say.

"Infrared photography is a look into the invisible world. The human eye can see wavelengths from about 400nm-700nm (from purple to red). Infrared light exists in the wavelengths beyond 700nm.

This effect is utilized in landscape photography to produce surreal color landscapes or high-contrast black and white photographs."

Which Cameras Work Best?

Photographers can begin experimenting with infrared photography with their existing cameras and a 720nm filter. Some cameras perform better than others, but all visible light cameras will struggle with very long exposures and high ISO settings because the 720 filter is very dense. An unconverted digital camera can only shoot IR in 720nm or 850nm.

But, you can get a taste of IR, and that often leads to wanted to get a converted camera that is far easier to use. What is a converted camera and where can you get one?

We recommend Kolari Vision for converted IR cameras. They can work on one you already have, or you can buy a camera that's already been converted. But what does that mean?

"With an infrared conversion, the camera's internal hot mirror is removed and replaced with a filter that only lets infrared light through. This allows for handheld infrared shots with normal exposure times and low ISO. A converted digital camera is the only way to take good digital infrared portraits, as the subject no longer has to stay perfectly still for a long exposure."

With a full-spectrum conversion, the camera's internal hot mirror is removed and replaced with a clear glass filter. This makes the camera sensitive to UV, visible, and IR light. This is an excellent option for someone who doesn't want a camera devoted to only IR. Using various external filters, the camera can take pictures in regular, infrared, or UV light.

I highly recommend a full-spectrum conversion of a mirrorless camera. This gives you access to a wide variety of infrared wavelengths via filters, allow you to see the effect in real-time in the electronic viewfinder, and provides for regular visible light photography via an external hot mirror filter.

If you opt for a full-spectrum conversion, the next thing to consider is whether you will shoot color or not.

If you plan to shoot only B&W, then the 720nm and 850nm filters are the best choices. If you plan to shoot color even occasionally, consider a 590nm or 665nm filter.

When choosing between 590nm, 665nm, and even 720nm, the first consideration is your aesthetic preference. If you like the yellow leaf effect, you should choose the 590nm or 665nm option. If you want to shoot regular color shots with white leaves and blue skies, then the 720nm ir filter is probably right for you.

The Right Lens Makes a Big Difference

Another thing to consider is the lens that you will use with the filter. Some lenses perform better than others for infrared. Some lenses are prone to hotspots that require touchup in post production. Kolari maintains a lens hotspot database to help you decide with optic will work best for you.

The other thing to consider is filter diameter. The cost of IR filters can really add up, and a smaller diameter filter, such as 37mm, is far more affordable than a larger diameter option such as 72mm. Choosing a lens with a smaller filter diameter will save you lots of money.

Additional Filters to Consider

Most photographers fall in love with a specific wavelength such as 590nm or 720nm. But if you have a full-spectrum conversions, there are other options to explore as well.

The IR Chrome filter achieves the look of Kodak Aerochrome IR film, straight out of camera without the need to channel swap. There are no special settings nor post production requirements.

The IR Cut Hot Mirror II filter provides for visible light photography with a full-spectrum conversion. The beauty of this is that you only need to carry one camera body for both your IR and visible light work.

Wrapping Up

For the best experience with the most options available to you, I recommend a full-spectrum converted mirrorless camera with one or two small diameter filter lenses. The number one filter I recommend is the 720nm because it's great for both B&W and soft color photography. My second favorite filter is the IR Chrome. And I suggest a Hot Mirror II as well.

All of this information, plus cameras and filters for sale, can be found at the Kolari Vision website.

Alice Camera, the AI-enhanced Micro Four Thirds camera, ready to ship

You can read the entire story on DPReview.com.

SOLD OUT! The Pentax 17 is already out of stock in Japan

You can read the entire story on DigitalCameraWorld.com.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #952, June 18, 2024. Today's theme is "Pentax Actually Did It - The Pentax 17 Film Camera." I'm Derrick Story.

Opening Monologue

Talk about having some serious moxie... Not only did Pentax debut the their first film camera in decades, they did it on the same day Nikon announced the highly anticipated Z6 Mark III. And guess which camera we're going to talk about first? All of this and more, much more, on today's TDS Photography Podcast. I hope you enjoy the show.

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Pentax Actually Did It - The Pentax 17 Film Camera

The Pentax 17 is a half-frame 35mm film camera with auto exposure, manual film advance, manual rewind, ISO selection dial, exposure compensation, built-in flash, and a whole lot of style.

Along with its magnesium top and bottom plates, the 17 borrows many legacy details from past cameras to inform its distinct design: the film rewind knob is taken from the Pentax LX, the ISO dial from the SP, the flash and shutter release from the KP, the lens housing from the Espio Mini, the front logo text from the 67, the knurled battery cover from the DA WR series of lenses, the film advance lever from the Auto 110, and the top plate from a special edition LX.

The viewfinder includes Pentax's own classic logo along with the Asahi AOCo logo and a film plane indicator taken from their line of DSLRs.

And it looks great. The protruding grip houses the CR2 lithium battery, the viewfinder housing is absolutely beautiful, the textured wrap and back memo holder contrast the silver top plate, and the lug straps are arranged so you can wear the camera horizontally or vertically.

Distinct from 35mm "full-frame" cameras with a 36 x 24mm format, the Pentax 17 is a half-frame format camera with a recording area of 17 x 24mm. This smaller, more unique format has a few added benefits.

Let's review the key specs and features.

• 35mm Half-Frame Film Camera (72 exposures on roll of 36)
• HD PENTAX HF 25mm f/3.5 Traditional Lens (37mm equivalent) f/3.5-f/16
• Manual Zone Focus with Macro Setting
• Window-style optical viewfinder (non TTL) with brightline frame lines for composition accuracy; these lines also include two notches to help compensate for parallax when using the close-up focus setting.
• Autoexposure, Program, and Bokeh Modes - 1/350th to 4 seconds
• Built-In Flash, Flash AE Modes - sync at 1/125th
• Exposure Compensation (-2.0/+2.0) and ISO Dials (50, 100, 200, 400, 800, 1600, 3200)
• Manual Film Advance Lever & Film Rewind
• Takes 1x CR2 Battery
• 2.5mm Remote Cable Switch Terminal
• 40.5mm filter ring with light meter sensor in the lens housing behind the filter.

Focusing is accomplished with what I call intelligent zones. You choose a basic zone, but the camera will fine-tune the focusing by adding more or less depth of field depending on your exposure setting. The zones are:

• Macro/Flower: 0.82' / 0.25 m
• Close-Up/Knife & Fork: 1.7' / 0.5 m
• Single Person: 4' / 1.2 m
• Two People: 5.6' / 1.7 m
• Group of People: 10' / 3 m
• Mountain/Infinity

The fixed prime lens is an HD PENTAX HF 25mm f/3.5 Traditional; it's a slightly wide-angle lens offering excellent sharpness and color rendering. It features Pentax's contemporary HD anti-reflective coating, helping to boost contrast and clarity.

The exposure dial is also unique. Your basic choices are programmed exposure or full auto, but with a twist.

The mode dial is divided into two sections: flash off or flash on. Within the flash on section, there is a choice between a Program auto with flash and a slow-sync with flash settings. With the flash off, Program auto, bulb, and slow shutter speed settings can be used, as well as a unique Bokeh mode that prioritizes use of the f/3.5 maximum aperture for the shallowest depth of field. Also, there is an in-between Auto mode that choose whether or not to use flash depending on the lighting conditions.

There is also a built-in flash on the front of the body. This flash has a guide number of 20' at ISO 100 and a recycle time of about 9 seconds. LEDs near the viewfinder display when the flash is recharging and when it is ready for use.

The pictures I've seen from independent reviewers are quite good and would stand up to the images that I currently get with many of my legacy film cameras. Yes, it's half frame, so you won't be making 16x20 prints from the Pentax 17, but that's not its goal.

What it aims to do is provide a modern analog experience that is fun and rewarding. And on both of those counts, it appears to succeed.

You can order the Pentax 17 right now for $499. It should begin shipping later this week.

Apple's iOS 18 Lets You Open Third-Party Camera Apps From Lock Screen

You can read the entire story on Petapixel.com.

U.S. Sues Adobe for Hidden Fees and A Confusing Cancellation Process

You can read the entire story on FStoppers.com.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #951, June 11, 2024. Today's theme is "Apple Intelligence - Nonthreatening to Photographers, for Now." I'm Derrick Story.

Opening Monologue

Unlike our friends at Adobe, Apple isn't targeting the photo shoot with their AI integration into the upcoming versions of its OS and photo apps. There are lots of new goodies in the toy box, and many of them will be useful for photo enthusiasts. In today's show, I'll provide an overview from a photographer's perspective and also discuss Adobe's latest controversy. I hope you enjoy the show.

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Apple Intelligence - Nonthreatening to Photographers, for Now

Apple Intelligence is Apple's branding of Artificial intelligence into its operating system and apps. They are aiming to apply this technology in ways that make your life easier and more creative while at the same time keeping your privacy intact. They're calling it AI for the rest of us.

To some degree, based on the keynote presentation at WWDC, I think the marketing is lining up with real-world application. Apple Intelligence powers new writing tools to put your written communications in the best light, you can create new Pixar-like images with Genmoji, you can generate illustrations from scratch with Image Playground, and you can create professional-looking movies easily that are based on the pictures you have captured and stored in your Photos library.

Most of the generated images in the keynote were illustrative rather than photographic. I didn't see anything that resembled the output from my digital camera. But, according to the documentation, Image Playground does have the ability to transform sketches into polished photographs. And I can't see this happening on-device, so the user would have to venture out into the Cloud for this capability.

But generally speaking, if you want to create a custom emoji for a text message or an illustration for a school paper, Apple Intelligence will do a nice job.

When applied to the Photos app, this technology will further improve search capabilities, provide better organizing options, and even give us a nifty Clean Up tool for removing unwanted items from a composition.

To tap this tech you will need an iPhone 15 Pro or Pro Max, a Mac with Apple Silicon, or a M-powered iPad. The hardware requirements are steep because Apple's approach is to do as much AI processing on the device as possible, with options for venturing out into the Cloud as needed. Users will have control over where the processing occurs, which is a good option for most of us.

The unknown is, however, what will developers want to do with this technology, and what will Apple allow them to put on its platform? Apple is providing an SDK with App Intents, APIs, and frameworks to make it easy for developers to integrate system-level features like Writing Tools and Image Playground into their apps.

Of particular interest to our community is the SDK for Image Playground. Here's what Apple is saying to developers:

"Image Playground delivers an easy-to-use experience to create fun, playful images in apps like Messages, Notes, Keynote, Pages and more. Using the Image Playground API, you can add the same experience to your app and enable your users to quickly create delightful images using context from within your app. And because images are created entirely on device, you don't have to develop or host your own models for your users to enjoy creating new images in your app."

Again, sounds fun and lighthearted. And it very well may stay that way. And it's going to be very interesting to see what savvy software companies like Pixelmator do with all of this new capability.

macOS Sequoia and iOS 18 will be released this Fall. Betas will be available to the general Mac community soon. I'm really looking forward to see how this all plays out.

Adobe Revising Terms of Use to Clarify Content Licensing, AI, and Privacy

You can read the entire story on Petapixel.com.

Finally, the Nikon Z6 III is coming soon!

You can read the entire story on AmateurPhotographer.com.

NextGen Styles - Adjust the White Balance automatically and apply AI color gradings in Capture One.

You can read the entire story on AlexOnRAW.com.

Note: The code THEDIGITALSTORY gives 10 percent OFF all products, and for products on sale it will give an additional 10 percent OFF on top of the existing discount.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #950, June 4, 2024. Today's theme is "A Yay Lens, a Nay Lens, and an It Depends Lens." I'm Derrick Story.

Opening Monologue

There's been lots to talk about regarding photography gear lately. Sigma has been on an impressive roll, Panasonic released the full-frame S9 with a companion pancake lens, and Viltrox continues its steady march to fame and fortune. And as you can imagine, all lenses are not created the same, and there are definitely yays and nays with these latest announcements. In today's TDS Photography Podcast, we will separate the cheers from the jeers. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

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A Yay Lens, a Nay Lens, and an It Depends Lens

The It Depends Lens

The Yay: The Sigma 28-45mm f/1.8 DG DN Art Lens (Sony E)

The 28-45mm f/1.8 DG DN Art Lens, the world's first zoom lens for full-frame mirrorless cameras with an f/1.8 aperture throughout the entire zoom range. Featuring prime-like optical performance and video-friendly design and functionality, its wide-to-normal focal range means a lighter kit bag without surrendering image quality.

Things to like about the Sigma 28-45mm

• Two AFL buttons
• Focus mode switch
• Super multilayer and nanoporous coatings
• Water- and oil-repellent coating on the front element
• Dust- and splash-resistant design
• Durable brass bayonet mount

The lens features a total of 18 elements in 15 groups, with three aspherical and five Special Low Dispersion elements to minimize flare and ghosting and suppress various aberrations. This results in an optical performance that meets or exceeds that of other Sigma Art lenses, including the primes. Along with its 11-blade, rounded diaphragm, the design promotes sharpness and a large, smooth bokeh when used wide open.

In addition to the f/1.8 maximum aperture, the lens also maintains an 11.9" minimum focusing distance across the entire zoom range. It achieves a maximum magnification ratio of 1:4 at its longest focal length, increasing depth of field and versatility in tight spaces.

On the downside, there is size and weight. Dimensions are 3.5 x 6", weight is 2.1 lb, and the front filter size is 82mm.

You can preorder the Sigma 28-45mm f/1.8 DG DN Art Lens (Sony E) for $1,349. It will also be available in the Leica L mount.

The Nay: The Panasonic 26mm f/8

This little pancake lens was designed to go with the new full frame Panasonic S9 camera. In terms of aesthetics, it accomplishes that goal. In order to convey the compactness of the S9 body, you want a small optic. That makes sense.

But, in terms of usefulness, this little guy really falls short. Here are a few examples why.

• Manual focus with no AF
• No focusing scale to help you estimate
• Locked f/8 aperture
• No filter ring
• Plastic lens mount
• $198 price tag

Yes, we've seen lenses like this in the past, but they weren't intended to be the primary shooters, and they cost half the amount. Up the road, this would be a fun addition. But as the introductory optic with a debut camera, not a great choice.

All that being said, if you want one of these, you can preorder the Panasonic Lumix S 26mm f/8 Lens (Leica L) for $198.

The It Depends Lens: The Viltrox AF 16mm f/1.8 FE Lens (Nikon Z)

Featuring an ultra-wide angle of view for Nikon Z-mount full-frame cameras, the Viltrox AF 16mm f/1.8 FE Lens is an ideal choice for a wide variety of photographic pursuits, including landscape and architecture photography, astrophotography, and creative videography requiring close-up capabilities with expansive backgrounds.

Things to like about the Viltrox 16mm

• Easy-to-access aperture switch enabling clicked and de-clicked operation. When switched to OFF, the stepless aperture mode quietly facilitates smooth depth-of-field transitions during video shooting.
• Built-in AF/MF switch for quickly alternating between autofocus and manual focus modes.
• Fn1 and Fn2 custom buttons allow for rapid access to key functions with select Sony cameras.
• Sophisticated LCD screen displays important shooting information including object distance, Fn icons, and aperture identification.
• An all-metal body and brass bayonet mount for a professional and reliable connection.
• Dust-proof and water-resistant design for use in adverse weather conditions.
• USB-C interface for firmware upgrades.
• Compatible with 77mm filters for optional widely available landscape filters.

That's a lot of lens for $549. But the "It Depends," at least for me, is can I justify buying a fixed focal length ultrawide optic? I'm not a night sky photographer, I don't shoot architecture professionally, and I already have the Viltrox 20mm that I really like.

You can preorder the Viltrox AF 16mm f/1.8 FE Lens (Nikon Z) for $549. It will also be available in the Sony E mount.

Panasonic Explains Stock Photos on S9 Website: A Mindset From 'Over 20 Years Ago'

You can read the entire story on Petapixel.com.

Movie Director Christopher Nolan Has Some Great Advice for Photographers

You can read the entire story on Fstoppers.com.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

For years I have tried to bend smartphone software to my will. They do some things OK, like geotagging pictures. But they're painful at best when it comes to getting real work done. And by real work, I mean copying images from my camera to an image editor on the phone where I can edit and share them.

I've tested software created by Nikon, Fujifilm, OM System, Pentax, and others. Most of the time, I can get them to work, but in the end, I feel like it's easier to lug around my laptop and use a card reader. But I shouldn't have to.

The processing power in today's iPhone is ample for managing and editing pictures from mirrorless cameras. The screens are absolutely beautiful and large enough for basic tasks. They are cloud-connected devices, so our work is immediately backed up and shared to all of our computers. But where they really shine compared to full-sized laptops, is that they fit in our pockets.

So, with a mirrorless camera around my neck and an iPhone in my jacket, I should be conquering the world. Instead, I find myself wasting time trying to get the two devices to talk to each other with fiddly WiFi software.

Making a Better Connection

One thing that the European Union had right and Apple had wrong was using USB-C for all smartphones. As of iPhone 15, the Lightning connector was replaced by a standard USB-C port. Not only did this ensure that we always have a charging cable available, but many of the accessories that we use with laptops now work with our smartphones... including portable SD card readers.

Combine this reliable hardware connection with universal software that's included in iOS, and you can say goodbye to frustrating WiFi transfers between cameras and mobile devices. Within iOS we have the Files app, which is rock solid. Additionally, Lightroom Mobile is very adept at managing and editing mirrorless camera pictures, as is Photos for iOS.

On the hardware side, a card reader is faster and more stable than fighting with wireless transfer. Plus, it's small. I stash mine in the little coin pocket in my Levi's jeans. Ditching wireless transfer and using a USB-C card reader allows me to leave the laptop behind and travel lightly with just my camera and the iPhone. And when I do get home, all of my pictures are waiting for me on the computer thanks to cloud connectivity.

Step-by-Step Guide to Transferring Pictures from a Mirrorless Camera to an iPhone

For my latest shoot, I used a Nikon Zf camera, iPhone 15 Pro Max smartphone, a Kingston 1 TB SD card, and a Kingston portable card reader.

I like to shoot RAW+Jpeg because I enjoy experimenting with film simulations that I've loaded into the Nikon. With this workflow, I can decide if I want to copy the Jpegs, RAWs, or both to my iPhone. Let's start with the most basic approach using the Files app.

The Files app is included in iOS. Unlike software designed by camera manufacturers who seem to have a limited understanding of the iPhone, Files is perfectly integrated into the device. Look for the icon with the blue file folder. Now, let's move some pictures.

• Remove the SD card from the camera, put it in the card reader, and connect the reader to the iPhone.
• Open the Files app on the iPhone and look for your SD card under Locations. In my case, it will read NIKON Z F.



The SD card in the Apple Files app.
• Tap on the SD card name to take you to the next screen. You will see one or more file folders there. Tap on the one that reads DCIM. Depending on how your camera sets up the file system, an additional folder may exist inside DCIM. Tap on it and your photos will be revealed.



Both RAWs and Jpegs are displayed here. The Jpegs show the image thumbnails.
• If you shoot RAW+Jpeg, you will see both versions of your pictures there. To choose the ones you want to copy to the iPhone, tap on the 3 dots in the upper right corner of the screen. Then tap on Select.
• Now, tap on the thumbnails of the pictures you want to copy to the device. They will be marked with a blue check.
• Tap on the Share button in the lower-left corner of the screen. Choose Save Images.
• The pictures are now copied to your camera roll on your iPhone and are accessible via Photos and other apps.
• Swipe up to close the Files app, disconnect the reader from your phone, and return the SD card to your camera.

This process is fast. And the best part is, it works every time.

You'll notice that I have a large 1 TB card for the Nikon Zf. I like to keep all the pictures from an adventure on the card as an additional backup.

With WiFi transfer, this becomes untenable because it takes so long to read all of the files on the card. But with USB-C connectivity, it's nearly instantaneous. In terms of speed, there is no comparison between WiFi and USB-C.

Adding Lightroom Mobile to the Mix

Lightroom on the iPhone and iPad provides a powerful set of editing tools, and it plays nice with the other software. For example, from the Files app, as described above, you can send selected images directly to Lightroom on your mobile device via the Share button.

Or you can copy directly into Lightroom, bypassing the Files app altogether, by connecting the SD card and tapping on the blue import icon in the lower right corner of the Lightroom interface.

Lightroom will ask you if you want to add photos from the Device (iPhone), Files (app), or Connected camera/card. Choose Connected camera/card, select the pictures you want, then tap the blue Import button at the bottom of the screen. Bingo!

Once the pictures are in Lightroom, you have a powerful set of imaging tools to adjust them. If you haven't used the mobile version of Lightroom for a while, I think you'll be surprised at how elegantly it has evolved.

After editing, you can share the finished files with other apps on your mobile device, save them to the camera roll, or publish them on social media. They'll also be available when you get home on your computer via the Cloud Tab in the upper lefthand corner of the Lightroom interface. You can pick up right where you left off.

Additional Apps and Hacks

If you're not a Lightroom fan, an excellent alternative is RAW Power from Gentleman Coders. No subscription is required, it's a very affordable one-time purchase, has a powerful set of editing tools, and the developer does a great job of keeping it up to date with the latest camera releases.

Photomator for iOS is also very popular, and for good reason. Easy to use combined with powerful editing tools make this Lightroom alternative a winner.

And here's a fun little hack... Lightroom has a handy export function that enables you to copy files from your mobile device to a USB-C flash drive.

Tap on the Share button at the top of the Lightroom interface, tap Export As... from the popup menu, choose Save to Files, then navigate to the connected flash drive icon in Files, and tap on Save. Yes, you can use USB-C to copy pictures to a flash drive as well.

Wrapping Up

I've waited far too long for camera software that provides a reliable workflow for my iPhone. Now, I don't need it. With my pocket-sized card reader, I can work as fast with mobile devices as I do with a computer. And that means more time to focus on my pictures.

This is The Digital Story Podcast #949, May 28, 2024. Today's theme is "A Massive Lightroom Update Featuring Generative Remove." I'm Derrick Story.

Opening Monologue

In terms of workflow, it's always nice to have the tools you need in one application instead of having to bounce around to different bits of software. With Lightroom 7.3, Adobe has taken a big step in that direction with the addition of Generative Remove. I'll explain how it works, plus some of the other goodies, in today's TDS Photography Podcast. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

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Podbean Podcasts -- Podbay FM -- Tune In

A Massive Lightroom Update Including Generative Remove

Original image with too many distractions.

Edited version using Lightroom's Generative Remove. Photo by Derrick Story.

I'll be talking about Version 7.3 of Adobe Lightroom. I've been using this version of the app, instead of Classic, because it has evolved enough for my needs, and it's a bit more modern.

The big news is that Firefly, Adobe's top-tier AI technology, comes to Lighroom. And its debut is Generative Remove.

The Content Aware Healing Brush is now called Remove. You can still use it as the old Content Aware Healing Brush, which is good for small objects, faster processing time, and up the road no spending of your credits. I will get into that later.

In Lightroom 7.3, you also have some additional options in the Remove panel. First, you'll see Generative AI with a checkbox and a Early Access label. Second, there is Object Aware with a checkbox.

There are also checkboxes for Show Overlay on Hover and Visualize Spots. I use Show Overlay on Hover when I want to delete a selection and do it again. It makes it easy to identify it.

So, the progression for removing objects from your photos could be something like this. If it's simple, then just use the Remove Brush without Generative AI. When you get into more complicated adjustments, especially large objects, then check the Generative AI box to turbo charge your Remove Brush.

For items that are irregular, such as a group of people, you probably want to enable Object Aware too. This can improve the masking and leave the right amount of information outside of your selection to give the application the data it needs for the fill.

When it works well, Lightroom will correctly identify the objects for removal and add the appropriate amount of feather to enable a seamless fix.

After the mask is created, you do have the ability to fine tune it with add or subtract. I found that I didn't have to do this often, but there are times when the software doesn't include an item that you want as part of the fix.

Once you give Lightroom the green light to generate the fix, it works fairly fast, depending on the processing power of your computer. On my M1 Macbook Pro, most fixes were about 15-20 seconds. Was even a bit faster on my M2 Mac mini.

Lightroom actually creates 3 variations of the correction, and displays the first one. I've found that it's usually the best. But you can click through all three versions using the Variations arrows.

You can also tell the app to regenerate an entirely new correction. My experience has been that subsequent fixes were not as good as the initial effort. It seems to get worse with every iteration.

During the Early Access period, you can play as much as you want with this feature. There are no limitations. This is the time to learn it and refine your skills with it.

Why?

Because once Adobe removes the Early Access button, you will be alloted credits, based on the plan you have, for Firefly based technologies.

Right now, when I go to my Creative Cloud account, I don't see any mention of credits. I have my $9.99 a month photography plan, 20 GBs of cloud storage, and the apps included in the plan.

So I'm guessing the credits aspect will come into play up the road. But the point is, that now, during Early Access, you can really learn Generative Remove and play as much as you want.

Up the road, the workflow will probably evolve into using Remove for the bulk of your work and small items, and saving Generative Remove for the bigger, more complicated challenges.

During this Early Access period, when Adobe is refining the Generative Remove tool, feedback on how it works is important. So, after you've worked on a picture, click the Feedback button, and let them know how it went.

If Firefly creates something totally random and not fit for your picture, then click on Report Variation, and let Adobe know what happened.

A Few Other Goodies to Mention

Lens Blur has improved and is no longer in Early Access. It's in the Edit panel, near the bottom and it works quite fast.

Once you click the Apply checkbox, you can set the Blur Amount, the type of Bokeh, and play with the Focus Range.

As part of this bargain, be sure to take a look at the Presets panel. Click on the icon on the right side that's above Edit. In Presets, click on the Premium tab and scroll down to Adaptive: Blur Background. Now you can get seven different looks just by clicking on Strong, Subtle, Circle, etc. You can see those changes in the Lens Blur panel, and tweak them to your tastes.

Lightroom 7.3 now has the Slideshow function. It's basic, but I find it helpful for reviewing an album of images, especially my pick set.

Go to View > Start Slideshow

One last little thing that I want to mention is that the File Names are now viewable on each thumbnail in Grid Mode. They are on the upper left side, and the File Extension is on the upper right.

If you decide you don't want to see the File Name or the File Extension in Grid Mode, you can turn them off independently in the View menu.

Adobe Lightroom 7.3 is quite impressive. For me, it has the tools I want without the extra cruft I don't.

Lessons Learned from Selling Photography at Art�Fairs

You can read the entire story on LiveView.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #948, May 21, 2024. Today's theme is "The Value of Photo Community - An Interview." I'm Derrick Story.

Opening Monologue

You hear me talk a lot about our photography community, but what do the actual members think? This week I chat with Cynthia Whelan and Lawrence Lazare about their experiences with online workshops, the Inner Circle, and writing for Live View. I think you'll be very interested in what they have to say. All of this, ad more, on today's TDS Photography Podcast. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

---

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Podbean Podcasts -- Podbay FM -- Tune In

The Value of Photo Community - An Interview

Here's the backgrounder for both Cynthia and Lawrence.

Cynthia A Whelan a.k.a., "Whelan on Walkabout"

"I have learned a lot listening to The Digitals Story podcasts, and now, being a member of the Inner Circle gives me a chance to have a conversation about my photography within a supportive community."

Travel Photography Stories and photos on Medium medium.com/@whelanonwalkabout

My website and Blog - Whelan on Walkabout

Facebook: https://www.facebook.com/cynthia.a.whelan/

Instagram: https://www.instagram.com/whelanonwalkabout/

Lawrence Lazare

Lawrence Lazare is a photographer and writer who is currently pursuing a BFA in Studio Art at the University of West Florida. He spent the first decade of his career in the music business as a promoter, booking agent, and artist manager. In 1995, he became part of the first wave to build the commercial internet. He spent 25 years as a product manager specializing in R&D and new product development for large media companies. During the last part of his career, he built AI-based search tools for photographers and filmmakers and holds two patents for image-based search and categorization.

In 2020, Lazare became legally blind after losing his central vision from Stargart's, a genetic retinal disease, forcing him into an early retirement. He decided to return to college to pursue a BFA in Studio Art, focusing on film photography. His photographs have been displayed in museums and galleries in Michigan, Florida, and New Orleans. He writes on the intersection of blindness and photography on Medium.com.

Lawrence has published an article on Live View titled, Building Your Artistic Practice Through Community that goes into more depth about this topic. It's worth a read.

Medium: https://llazare.medium.com/
IG: https://www.instagram.com/llazare/
Web: https://www.lawrencelazare.com/

And a big thanks to both Cynthia and Lawrence to taking time to talk with me on the show.

The Inner Circle Membership Drive - Spring 2024

I've been enjoying our Inner Circle experience so much this year, I just can't help thinking that you would too. But I know how that is... there are certain things we just never get around to doing.

So I thought I could help with that. And I think you're really going to like this. For the next two weeks, we're having the Inner Circle Membership Drive.

If you haven't joined us yet, all you have to do is click on this link to go to our Patreon page, scroll to Choose Your Membership, click on Pay Annually, then click on the Join button. The annual membership is $54 a year.

The extra incentive is, once I see that you've joined the Inner Circle for a year, I'll send you a coupon code that will allow you to sign up for free, your choice of the Infrared Workshop in June, or the Printing Workshop in August. That's a $145 value!

This promotion is for annual memberships only. One coupon code for one online workshop per paid membership.

Plus, you will still receive all of the Inner Circle benefits including access to our exclusive space on DerrickStoryOnline and discounts for future online and in-person workshops. And you're helping to support our online community.

If you're an existing Inner Circle Member, you can still benefit from the membership drive. All you have to do is switch from monthly payments to the annual payment of $54, and you will also receive a coupon code for either online workshop. If you've left the Inner Circle and want to rejoin us, the same offer applies.

The Inner Circle Membership Drive runs from May 7, 2024 through May 22, 2024. Join us today and experience one of our online workshops... for free.

ASMP Calls Out Adobe for Its 'Shocking Dismissal of Photography'

You can read the entire story on PetaPixel.com

The Series Every Photographer Should Be Watching

You can read the entire article on FStoppers.com

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #947, May 14, 2024. Today's theme is "3rd Party Lens Extravaganza." I'm Derrick Story.

Opening Monologue

The floodgates have opened and we're now seeing a wave of 3rd party lenses washing ashore for Sony, Nikon, Fujifilm, and yes, even Canon. This week I'm going to share with you my current favorites for this swell of great optics for mirrorless cameras. All of this and more, on today's TDS Photography Podcast. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

---

Apple Podcasts -- Spotify Podcasts -- Stitcher

Podbean Podcasts -- Podbay FM -- Tune In

3rd Party Lens Extravaganza

Here's a list of my current list of favorite 3rd party lenses:

• Tamron developing 11-20mm F2.8 Di III-A RXD for Canon RF mount - Tamron has announced it's developing a version of its 11-20mm F2.8 Di III-A RXD fast wide-angle zoom lens for Canon RF-mount APS-C cameras. The 11-20mm F2.8, which is already available for Sony E-mount, will offer an 18-32mm equivalent range on Canon's 1.6x crop cameras. The company says the 11-20mm will be available before the end of 2024. No details of pricing have been given. DPReview.com
• TTArtisan AF 56mm f/1.8 Lens (Sony E) - A lightweight prime ideal for portraiture, the AF 56mm f/1.8 Lens from TTArtisan is designed for use with APS-C Sony E-mount mirrorless cameras and provides a portrait-length full-frame equivalency of 84mm. Capturing images in low-light conditions is no issue with this lens's bright maximum f/1.8 aperture. A minimum focusing distance of 19.7" is available. Driving the autofocus is a stepping motor, which helps enable quiet and speedy performance. One extra-low dispersion (ED) element is incorporated to reduce color fringing and chromatic aberrations in order to achieve greater clarity and color accuracy. $158 B&H Photo. (There's also a version for Fujifilm coming.)
• 7Artisans releases 50mm F1.4 Tilt lens - 7Artisans has released a new manual focus 50mm F1.4 Tilt lens, compatible with Sony and Fujifilm APS-C cameras, as well as Olympus and Panasonic Micro Four Thirds cameras. At the front of the lens is a numbered aperture ring, with the depth of field scale and distance scale focus ring sitting just behind. Users can rotate the lens a full 360-degrees and the tilt axis moves left to right. The company has yet to confirm how many degrees the lens can tilt on either side.
  Although photographers commonly use tilt lenses for architecture photography and to experiment with depth of field, 7Artisans claims the 50mm F1.4 offers enough clarity for portraiture, claiming distortion of only 1.9%. DPReview.com
  Available now on Amazon for $226.
• Viltrox AF 56mm f/1.7 XF Lens (FUJIFILM X and Nikon Z) - A compact portrait-length prime lens designed for FUJIFILM X-mount and Nikon Z-Mount mirrorless cameras, the Viltrox AF 56mm f/1.7 XF Lens provides a full-frame equivalent of 85mm, making it ideal for portraiture. Its focal length paired with its bright f/1.7 maximum aperture provides excellent control over depth of field and allows reliable shooting in low-light conditions. The lens design includes four extra-low dispersion elements and three high refractive index elements to reduce optical aberrations and improve overall image quality. Additionally, the lens's lightweight design makes it an optimal choice for traveling. $139 B&H Photo
• Sigma 50mm f/1.2 DG DN Art Lens (Sony E) - The lightest in its class and the brightest in Sigma's 50mm prime lineup, the 50mm f/1.2 DG DN Art Lens for Sony E-mount cameras is a well-designed lens for everyday use. Driven by Sigma's dual HLA (High-response Linear Actuator) motors, this lens delivers quiet and high-speed performance. Simultaneously, this focusing system allows for a more compact design, helping make this lens lighter than its counterparts. This classic focal length paired with an extremely wide f/1.2 maximum aperture allows users to effortlessly capture a variety of subject matter. Also, there are physical function buttons and switches that improve the lens's overall ease of use as well as its reliability in the field. To reduce ghosting and improve contrast, a super multilayer coating is used on the glass elements. $1,399 B&H Photo
• Viltrox AF 16mm f/1.8 Lens (Nikon Z) - A large-aperture high-resolution prime, the Viltrox AF 16mm f/1.8 Z offers outstanding edge-to-edge sharpness with soft and natural bokeh. Engineered for photo and video applications, this robust and lightweight lens is equally adept for photographers and videographers alike. 4 ED (Extra-low Dispersion) and 3 aspherical elements combine to achieve outstanding sharpness, while also reducing sagital coma flare, which distorts the shapes of stars. The optical design also minimizes ghosting and flare when shooting starry skies and long exposure night scenes. Sophisticated LCD screen displays important shooting information including object distance, Fn icons, and aperture identification. $549 B&H Photo.

A little something tempting for everyone!

The Inner Circle Membership Drive - Spring 2024

I've been enjoying our Inner Circle experience so much this year, I just can't help thinking that you would too. But I know how that is... there are certain things we just never get around to doing.

So I thought I could help with that. And I think you're really going to like this. For the next two weeks, we're having the Inner Circle Membership Drive.

If you haven't joined us yet, all you have to do is click on this link to go to our Patreon page, scroll to Choose Your Membership, click on Pay Annually, then click on the Join button. The annual membership is $54 a year.

The extra incentive is, once I see that you've joined the Inner Circle for a year, I'll send you a coupon code that will allow you to sign up for free, your choice of the Infrared Workshop in June, or the Printing Workshop in August. That's a $145 value!

This promotion is for annual memberships only. One coupon code for one online workshop per paid membership.

Plus, you will still receive all of the Inner Circle benefits including access to our exclusive space on DerrickStoryOnline and discounts for future online and in-person workshops. And you're helping to support our online community.

If you're an existing Inner Circle Member, you can still benefit from the membership drive. All you have to do is switch from monthly payments to the annual payment of $54, and you will also receive a coupon code for either online workshop. If you've left the Inner Circle and want to rejoin us, the same offer applies.

The Inner Circle Membership Drive runs from May 7, 2024 through May 22, 2024. Join us today and experience one of our online workshops... for free.

Apple Says Destructive iPad Ad 'Missed the Mark'

You can read the entire story on NYtimes.com

It looks like Panasonic's "completely new kind" of camera is coming next week

You can read the entire article on DigitalCameraWorld.com

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #946, May 7, 2024. Today's theme is "The Inspiration Battle - 5 Tips to Overcome the Blahs." I'm Derrick Story.

Opening Monologue

An Inner Circle member recently posted that he's been uninspired lately. Others chimed in that it happens to us all at times. And when it does, what can be done? This week I share 5 tips to overcome photographer's block. Plus, a very tempting offer for our podcast audience, and a peek at Peakto Search. All of this, and more, on today's TDS Photography Podcast. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

---

Apple Podcasts -- Spotify Podcasts -- Stitcher

Podbean Podcasts -- Podbay FM -- Tune In

The Inspiration Battle - 5 Tips to Overcome the Blahs

Any artistic pursuit is vulnerable to creative block, and photography is no exception. Here are five tips to help get things moving again.

• Go Back in Time - Every photographer has a stash of old gear that's impossible to part with. But instead of letting it languish in the back of the closet, pull out that camera from 2014, charge its batteries, and wander outside. Challenge yourself to make a great shot with a decade-old camera.
• Shoot a Roll of Film - Nothing will help you appreciate your current mirrorless like revisiting an analog camera from your past. In stead of challenging yourself to capture a great shot, like in tip #1, see if you can even get a good shot out of a roll of 36. This process will activate parts of your brain that haven't been used in years.
• Break Out a Vintage Lens - There's something about looking at the world through a 40-year-old optic that summons our inner artist. One of my favorites for this exercise is the Nikkor 105mm Ai-S F2.5 lens that Steve McCurry made famous with his shot of the Afghan Girl on a Nikon FM2. Every time I put that lens on a modern Nikon, I feel obligated to do it justice.
• Take a Trip to Bizarro World - Just like the Seinfeld episode where Elaine's new friend is the exact opposite of Jerry (Season 8, Episode 3), go out and take pictures of a subject that you never tackle. If you're a landscape guy, go to the city; if you love macro, challenge yourself with panoramas; only photograph sill lives, then set up a portrait session. By becoming a Bizarro Photographer, you will shake out the cobwebs and see the world with fresh eyes.
• Find a Photo Buddy - We tend to work so much alone that we miss opportunities and techniques right under our noses. Hanging out for a day with a photo buddy will help you see the world through someone else's eyes. Be sure to compare pictures at the end of the day and talk about why each of you shot what you did.

I promise you, if you embrace one or more of these challenges, you will begin to feel the rise of inspiration as you climb out of your creative rut.

The Inner Circle Membership Drive - Spring 2024

I've been enjoying our Inner Circle experience so much this year, I just can't help thinking that you would too. But I know how that is... there are certain things we just never get around to doing.

So I thought I could help with that. And I think you're really going to like this. For the next two weeks, we're having the Inner Circle Membership Drive.

If you haven't joined us yet, all you have to do is click on this link to go to our Patreon page, scroll to Choose Your Membership, click on Pay Annually, then click on the Join button. The annual membership is $54 a year.

The extra incentive is, once I see that you've joined the Inner Circle for a year, I'll send you a coupon code that will allow you to sign up for free, your choice of the Infrared Workshop in June, or the Printing Workshop in August. That's a $145 value!

This promotion is for annual memberships only. One coupon code for one online workshop per paid membership.

Plus, you will still receive all of the Inner Circle benefits including access to our exclusive space on DerrickStoryOnline and discounts for future online and in-person workshops. And you're helping to support our online community.

If you're an existing Inner Circle Member, you can still benefit from the membership drive. All you have to do is switch from monthly payments to the annual payment of $54, and you will also receive a coupon code for either online workshop. If you've left the Inner Circle and want to rejoin us, the same offer applies.

The Inner Circle Membership Drive runs from May 7, 2024 through May 22, 2024. Join us today and experience one of our online workshops.

Peakto Search for Capture One Pro and Lightroom

Utilizing AI, Peakto Search allows users to find any photos OR videos, based on a simple description or image. Capable of searching across multiple Catalogs, Peakto Search is always at hand in the menu bar and operates even when the app is closed. It instantly reveals results and enables users to open photos and videos directly in Capture One Pro or Lightroom.

Peakto Search functions as an intelligent search engine. With just a simple description or image-based query, the plugin retrieves corresponding photos or videos. No annotations or knowledge of storage locations are required; Peakto Search's advanced AI swiftly locates content.

Capture One Pro confines the ability to search for content to a Catalog or Session. Peakto Search extends this limit by offering a search that can be conducted across multiple Catalogs and Sessions simultaneously. Search results appear in real-time through previews of photos and videos. The video player preview available in the plugin highlights the segments in the video that exactly match the query or reference image.

Peakto Search stands out as a uniquely designed plugin. Nestled in the Mac menu bar, it remains effortlessly accessible, even when Capture One or Lightroom is closed, ensuring it serves as a reliable guide through your content. Seamlessly integrated with the editing software, it facilitates the opening of multiple photos and videos in Capture One Pro directly from the search results.

Peakto Search is now available for purchase on the CYME website, complete with a complimentary 7-day trial period exclusive to subscribers:

• 2-year subscription for $89 (equivalent to $5.41 per month)
• Annual subscription for $65
• Monthly subscription for $9 per month
• Unlimited license for $129

Optimized for macOS Ventura, Peakto Search requires macOS 12 (Monterrey) or later and can fully leverage Apple Silicon M1/M2/M3 chips. Peakto Search is compatible with Capture One Pro from version 20.

Firmware update roundup: Fujifilm, Nikon, Sony and Panasonic

You can read the entire article on DPReview.com

Infrared Photography Workshop - Online - June 2024

Do you feel like the world is looking like "the same old same old" through your camera's viewfinder? Have you felt your enthusiasm for photography waning? Then it's time for you to consider exploring infrared imaging.

Suddenly walks you've taken a hundred times look completely different as you see them through your camera. Old familiar subjects burst to life with new vibrancy. IR photography can energize your creativity, not only for this medium, but for all of your artistry.

Beginning June 5, 2024, join us for this 4-week exploration into the world of IR. During this event, you will learn:

• The best IR filter to start with.
• How to test your existing digital camera for infrared sensitivity.
• Learn about the different types of IR conversions for digital cameras.
• See how different IR filters produce wildly different results.
• Learn how to fine-tune your images with software you already own.
• Discover advanced techniques to take your images to the next level.
• And much, much more.

This online workshop (Zoom) begins on Wednesday, June 5, 2024, with both morning (9am PST) and evening sessions (4pm PST) available. We will convene weekly thereafter via Zoom for more training sessions (AM and PM), Q&A, and to compare notes. You can attend morning, evening, or both sessions. It's essentially the same content, just different participants.

It is so much fun.

Plus, you will have unlimited access to our online workshop community, DerrickStoryOnline. Here, you can mingle with other workshop participants (past and present), share images for comment, exchange tips and techniques, and enjoy the fellowship of other creatives who share your passion for image-making.

You can reserve your spot for the Infrared Online Workshop here.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #945, April 30, 2024. Today's theme is "It's the Shooting Experience, Not Image Quality." I'm Derrick Story.

Opening Monologue

Why do we choose the cameras that we do? Is it sensor size, megapixels, lens catalog, high-tech features, or something else altogether? I recently polled our Inner Circle Members about the brands they use and stick with. I found their responses illuminating, and thought that you might too. All of that, and more, on today's TDS Photography Podcast I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

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It's the Shooting Experience, Not Image Quality

Derrick Story riding the Verde Canyon Railroad. Photo by Steve Csoto.

A recent conversation on the Inner Circle site centered around brand loyalty and what our photographers favor for cameras. I thought the comments were terrific, and I was enjoying each of them when I came across this thought by Rudiger Wolf:

Olympus, Leica, Hasselblad, Apple all have unique uses and relevance. I'm finding the shooting experience is becoming more important to me than image quality. Each has a different shooting window (wildlife, portraits, macro, Astro, travel, sports, etc.). We are fortunate to have so many choices and options.

Rudiger's comment seemed to have a many heads nodding in approval. Jim Kuzman followed up by writing: "Your comment about the shooting experience really resonates with me. I have some excellent lenses but I'm more inclined to trade ultimate image quality for a smaller, more compact, and ultimately more enjoyable setup that gets me 90% of the quality at 50% of the bulk and weight and 100% of the joy.

Larry Borreson chimed in, "I have to agree. Each camera tends to lend itself to its own type of creativity."

Michael Alford commented, "Fuji and OM Systems/Olympus. Main systems, but I also have a Lumix LX100. Then Nikon and Bronica for film, I agree with Ruddier that the shooting experience is more important than image quality, At least now that image quality is so high it hardly matters what you use."

Forty-two percent of our audience have found the brand they like and are sticking with it. Another 42 percent are toggling between two brands depending on the task that's at hand.

I started thinking about my own camera choices. It goes beyond brand for me into the actual camera model. I shoot Nikon for example, but not the more modern Z8 or Z9. I like the Zf. My favorite Olympus model is the PEN-F. And I adore the Fujifilm X100V, but an not interested at all in their X-S20 body.

Along with Rudiger, Michael, Jim, and Larry, the shooting experience is my most important feature.

And I don't know if this happens to you, but I can see just the picture of a new camera and right away know if I want to hold it in my hands.

I remember testing the Nikon Z5 a few years ago. It was a perfectly capable camera, and I said so in my review. But after publishing those words, I promptly sent back my loaner, not even waiting for the full 30 day deadline. I just wasn't inspired with it.

I tested other Nikons too. I was intrigued by the Zfc when it was released, thinking that we were going to become fast friends. I took my loaner on a camping trip in Mendocino County. I came home with lovely pictures. But the camera just didn't feel right in my hands. The retro design was sweet, but the shooting experience was off for me. I sent back my loaner after 30 days.

More time passed and the Nikon Zf hit the market. Once again, B&H sent me a loaner right away. My first shoot with it was a haunted house assignment for a client. That's crazy depending on a brand new camera for a paying gig. But that's what I did. I never sent the Zf back.

The shooting experience was amazing. And I was just as thrilled with its performance when I reviewed the images on my MacBook Pro. I hadn't felt that way since the X100V, and the PEN-F before that.

All cameras these days produce good images. It's how you get there that seems to separate the winners from crowd.

Sometimes photographers write about a lack of inspiration that strikes them. They don't feel inspired. They're out there experimenting. They feel in a rut.

I'm not going to say that buying new gear with solve your creativity problems. But what I will say, is that when you have a camera that really lights you up, even the most mundane situations are fun.

Sigma announces six APS-C lenses for Canon RF mount

You can read the entire article on DPReview.com

Infrared Photography Workshop - Online - June 2024

Do you feel like the world is looking like "the same old same old" through your camera's viewfinder? Have you felt your enthusiasm for photography waning? Then it's time for you to consider exploring infrared imaging.

Suddenly walks you've taken a hundred times look completely different as you see them through your camera. Old familiar subjects burst to life with new vibrancy. IR photography can energize your creativity, not only for this medium, but for all of your artistry.

Beginning June 5, 2024, join us for this 4-week exploration into the world of IR. During this event, you will learn:

• The best IR filter to start with.
• How to test your existing digital camera for infrared sensitivity.
• Learn about the different types of IR conversions for digital cameras.
• See how different IR filters produce wildly different results.
• Learn how to fine-tune your images with software you already own.
• Discover advanced techniques to take your images to the next level.
• And much, much more.

This online workshop (Zoom) begins on Wednesday, June 5, 2024, with both morning (9am PST) and evening sessions (4pm PST) available. We will convene weekly thereafter via Zoom for more training sessions (AM and PM), Q&A, and to compare notes. You can attend morning, evening, or both sessions. It's essentially the same content, just different participants.

It is so much fun.

Plus, you will have unlimited access to our online workshop community, DerrickStoryOnline. Here, you can mingle with other workshop participants (past and present), share images for comment, exchange tips and techniques, and enjoy the fellowship of other creatives who share your passion for image-making.

You can reserve your spot for the Infrared Online Workshop here.

AI Ex-Termination: Photoroom and OkCupid Delete Your Ex From Photos

You can read the entire article on PetaPixel.com

Magnum Square Print Sale

Exploring the theme Fable, the sale celebrates the symbiosis between visual and written narratives through a collaboration with three writers, who have composed stories and poetry inspired by a selection of images from the sale.? Each of the 85 images featured are available as signed or estate-stamped, museum-quality 6x6" prints online for one week only. ?You can learn more here.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.