How can iPad-toting photographers store large amounts of data while on the road? The folks over at HyperShop may have a solution: the HyperDrive iPad Hard Drive. About the size of a portable USB hard drive, the HyperDrive iPad is a media storage device that connects to the iPad via the Camera Connection Kit (yes, you have to have that first). Models range in capacity from 120 GBs to 750 GBs.

Sanho, the makers of the product, have figured out how to work around the iPad's 32 GB size limitation of external drives. With 2 memory card slots and a 3.2" color LCD, the Hyperdrive iPad can receive and store images directly from your camera's memory card. If you want to transfer or view any of the media on your iPad, then connect the device via its USB cable the the Apple Camera Connection Kit. Suddenly the iPad becomes a long term travel device thanks to this additional storage and back up.

Prices range from $299 US to $599, and you can purchase directly from the HyperDrive site.

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In workshops, I often get at least one question about copyright, and how necessary it is to protect your images. My answer always begins with, "Well, I'm not s lawyer, but here's what I know..." Now, thanks to the folks at PhotoShelter, we have a real lawyer to dispense knowledgable advice.

"In the article, 5 Ways Photographers Can Protect Their Images Online, Carolyn Wright, the "photo attorney," lists five things photographers should do to protect their work. I will tell you up front that these are measures that many shooters do don't do, but I think they are good to know.

Here's an example of Carolyn's advice: "Register your copyrights to your photos. When a photo is not registered with the U.S. Copyright Office prior to the infringement (or within three months of the first publication of the photo), a copyright owner may recover only "actual damages" for the infringement (pursuant to 17 U.S.C. 504 (b)), instead of statutory damages. Courts usually calculate actual damages based on your normal license fees and/or industry standard licensing fees. You also may recover the profits the infringer made from the infringement if they aren't too speculative. Unfortunately, actual damages usually don't amount to much so that attorneys will not take your infringement case on a contingency basis."

Take a look and see what you think.

I started using graduated filters years ago when I was shooting film, inspired to try them through the work of Galen Rowell. Graduated filters were one of his "secrets" to creating those fantastic landscape images.

These days I'm no longer putting tinted glass in front of my lenses, but I still use graduated filters. The difference is, now I apply them in post production using Adobe Camera Raw. What's interesting is that the mental process hasn't changed that much from the film days. The adjustment is that now I visualize how I'm going to apply the filter in post production rather than at capture.

In this week's episode, I talk about graduated filters, old and new, and the process of visualization that I use while shooting. If you want to see a before and after comparison, take a look at my article, Graduated Filter Adjustments in Adobe Camera Raw.

Listen to the Podcast

You can also download the podcast here (34 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Saturation is the September 2010 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is Sept. 30, 2010.

TDS Autumn 2010 Photography Workshop

The next TDS Photography Workshop will be Oct. 16-18, 2010. The event is sold out. But, you can place your name on the reserve list for the next workshop. Just drop me a line.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. It's a blast!

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One of the most useful non-destructive editing tools in Adobe Camera Raw (as part of the Photoshop package) is the Graduated Filter. It helps us cope with contrasty scenes where we often have to choose between not blowing out our highlights or plugging up our shadows. I used the Graduated Filter on this snapshot captured in Raw with a Canon S90 compact camera.

Carmel River State Beach, CA. I used the Graduated Filter tool in ACR to balance the blow out highlights in the sky and water with the properly exposed landscape foreground. Click on image for larger version.

Take the above image for example. What you see here is the finished product. But what I recorded originally with the Canon S90 is below. When I took the picture, I exposed for the ice plant foreground knowing that I was going to lose highlight detail in the overcast sky and water.

Knowing this, I shot in Raw and planned on using the Graduated Filter tool in ACR to recover those highlights in post production. I used two filters, pulling one down from the top and another (less intense) filter from the bottom up. My goal was to direct the viewer's eye to the beach, water, and ice plant in the lower 40 percent of the composition. If you want to see the difference, take a look at the original photo below.

Original image with blown out highlights.

There's quite a difference.

If you want to use this tool, open your image in ACR (I usually go CMD-R from Bridge), and click on the fourth tool from the right in the upper tool bar. Drag the mouse from top to bottom, and just like that, you have a graduated filter adjustment that you can fine tune. It makes a tremendous difference, even in snapshots such as this. And not only is it good to help recover tones, but you can actually use multiple filters to shape the image in a way that highlights exactly what you want.

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In my latest article for Macworld Magazine, Discover Preview's hidden image editing powers, I demonstrate Preview's prowess for photography. Many Mac users rely on the free application for reading PDFs, but some of those same users don't know they can:

• Adjust color and luminance
• Resample images
• Batch process
• Select components and drop out background (Smart Lasso)
• Soft proof before printing

And more. Preview is truly a hidden gem. You might want to check out the article then revisit the application.

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If you've been following the TDS podcasts lately, you know that I've been talking about Blurb books and our newest site feature, Blurb Book Page of the Month. We opened entries in August, and I'm happy to announce our first featured artist, David Bream. You can read all about his project in the article, August 2010 Featured Book Page - David Bream, "Window Seat".

From the Blurb book, "Window Seat" by David Bream. (Click on image to see larger version.)

Seasoned TDS members might recognize David's name. He's been a regular participant in our monthly Photo Assignments. At first, David was hesitant to try the book thing:

"I listened to your podcast regarding making a book, dismissed the idea, rethought it, and decided to give it a try. I downloaded the software, and spent the next 3 hours making my first small sampler booklet, which I received about a week ago. I could not believe the high quality of both the color and black-and-white printing, and the speed with which the book was printed and delivered to me," wrote David.

If you're like David, and want to experiment with this medium, we have just the opportunity for you. This is a monthly feature, and we're already receiving submissions for Sept. 2010. If you want to learn how to share your work, visit Win by Entering "Blurb Book Page of the Month" for all the details. Hope to see your work in our inbox soon!

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photokina comes around every two years, and in three weeks it will be here again. Arguably, it's one of the largest photography tradeshows in the world, attracting thousands to Cologne, Germany. This year, I will be among them.

I'm traveling to Europe on assignment for Lowepro, as part of my Photography Evangelist job. I'm packing up a Canon 5D Mark II, Olympus E-P1, lighting, microphones, and lenses in my Pro Trekker 300 AW. I'll be shooting stills, recording video, and publishing on the new Lowepro blog... and here too, of course.

Starting on September 21, I'll post a "photokina shot of the day" here on TDS. I'll definitely be focusing on new gear announcements, but I won't be limiting my coverage to equipment. People and events are also interesting, and at times they may upstage the hardware.

If you have a hot tip for the show, or for Cologne, please send me email. I think this is going to be an interesting week, both for me in Cologne, and hopefully for you too as you read about the activities and announcements there.

And if you're not already following me on Twitter, now might be a good time to click the button.

Editor's note: A friend from my Lowepro life, Jeff Cable, offered to share the images he captured as the official photographer for Steve Wozniak's 60th birthday party. (Thanks Jeff.)

"Janet Wozniak (Steve's awesome wife) threw a surprise party to celebrate Steve's 60 birthday. The party was located at The Tech Museum in San Jose, CA. The big challenge was to keep it a secret and to surprise Woz. This is not an easy task for such a sharp guy..."

To get the rest of the story, with 19 photos from the party (including Drew Carey who is now 80 pounds lighter), hop over to Jeff's blog. The shots are terrific, with lots of interesting text too.

Photo by Jeff Cable.

Not all photo software has to cost you an arm and a shoulder strap. There are some excellent utilities that will set you back less than $5, or even free. And they are useful for the seasoned pro as well as the casual snapshooter.

This week I look at Preview for Mac OS X, and Photogene for iPad and Filterstorm, also for the iPad. Preview is free (included in Mac OS X), and the two iPad apps cost $3.99 each.

Preview for Mac OS X is free, but includes some surprisingly robust editing tools. Click on image for larger size.

What's so amazing is how good all three are. Many Mac users know Preview for PDF reading, but don't realize there is a robust set of image editing tools there also. Meanwhile, on the iPad you have surprising pixel pushing power to create a very portable workflow.

I spend the most time this week on Preview, but do cover the other apps too. I think you'll be surprised by what you learn.

Listen to the Podcast

You can also download the podcast here (30 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Saturation is the September 2010 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is Sept. 30, 2010.

TDS Autumn 2010 Photography Workshop

The next TDS Photography Workshop will be Oct. 16-18, 2010. The event is sold out. But, you can place your name on the reserve list for the next workshop. Just drop me a line.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. It's a blast!

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Red River Paper -- Try the $7.99 Sample Kit.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Blurb believes passionately in the joy of books - reading them, making them, sharing them, and selling them. Learn more by visiting Blurb on The Digital Story.

Technorati Tags: digital photography, podcast, technique, Technology, The Digital Story, tips

Here's a collection of images to create shear delight. The assignment for July 2010 was "Torn." Check out this edgy set of images from members of the TDS virtual camera club. And which one will be the SizzlPix Pick of the Month?

The September 2010 assignment is "Saturated." Start working on your contribution now. Details can be found on the Member Participation page. You can now submit photo assignment pictures up to 800 pixels in the widest direction.

Please follow the instructions carefully for labeling the subject line of the email for your submission. It's easy to lose these in the pile of mail if not labeled correctly. For example, the subject line for next month's assignment should be: "Photo Assignment: Sept. 2010." Also, if you can, please don't strip out the metadata. And feel free to add any IPTC data you wish (These fields in particular: Caption, Credit, Copyright, Byline), I use that for the caption info.

Photo by Robert Yanal. (Click on it to see enlarged version.) You can read more about how Robert captured this shot, plus see all of the other great images on the July 2010 Gallery page.

Good luck with your September assignment, and congratulations to all of the fine contributors for July. Once again, it's a great collection of images.

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Now Available! The Digital Photography Companion. The official guide for The Digital Story Virtual Camera Club.

• 25 handy and informative tables for quick reference.
• Metadata listings for every photo in the book
• Dedicated chapter on making printing easy.
• Photo management software guide.
• Many, many inside tips gleaned from years of experience.
• Comprehensive (214 pages), yet fits easily in camera bag.

Technorati Tags: digital photography, The Digital Story, Photo Assignment