Been thinking about getting an all-in-one super zoom digital camera? Well, this is your lucky week. Pentax, Olympus, Nikon, and Canon all announced new models.

What type of photographer is the super zoom designed for? Someone who wants extended focal length topping out with long telephoto, but in a reasonably sized body. There's no messing around with interchangeable lenses. The kit you buy is the kit you use.

The Pentax X-5 ($279) features a 22.3-580mm zoom on a 16 MP body. It's powered by 2 rechargable AA batteries.

The Olympus SP-820UZ iHS ($329) sports a crazy 22.4 - 896mm zoom lens on a 14MP body. It also uses AA batteries.

The Canon PowerShot SX500 IS ($329) uses a 24-720mm zoom on a 16MP body.

And finally, the Nikon COOLPIX P7700 ($499) is designed for those who want reach, but like to shoot in low light. Its 28-200mm lens has a maximum aperture of f/2.0. The P7700 sports a 12MP body that can capture images at a fast 8 fps.

If you're looking for a lot of reach in a small package, one of these super zooms might do it for you.

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The Nikon COOLPIX S800c digital camera ($349 US) doesn't have cellular (although how cool would that be), but it is Android powered with WiFi connectivity. (Hey, watch out for that zoom lens while using the touchscreen...)

The generous 3.5" rear OLED touch screen is big enough to take advantage of a boatload of apps available in Google Play. You're still going to have to duck in to a Starbucks (or maybe this is the time to get MyFi) to connect to the Internet. But once you do, you can process and share your images directly from the camera.

One of the many photo apps available in Google Play is Instagram. Can you imagine the leg up you'd have shooting with a 16 MP, 10X optical zoom, ISO 25-3200 Nikon camera?

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What's the biggest drawback to being the Nimble Photographer on photo assignment? Perception. If I show up with anything less than a big gun, will clients and participants take me seriously? I explore this phenomenon in the first segment of the show.

I then start laying the ground work for my trip to Germany in September to cover Photokina and Oktoberfest. If you're not all that familiar with Photokina, I provide some good context to help bring you up to speed.

And finally, I have a personal story that involves my iPhone. I know the best camera is the one you have with you, but I never expected this. And there's more... in this week's TDS podcast.

Listen to the Podcast

You can also download the podcast here (29 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Street Scene is the August 2012 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is August 30, 2012.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- The $7.99 Sample Kit is back! And with free shipping.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to saven 20% at check out.

One of my favorite features on the Canon EOS 60D and the Olympus OM-D E-M5is live view. I'm discovering how effective composing on non-fixed-back LCDs can be for certain types of shots. It's ironic that we're used to this method for our camera phones and point and shoots, but seem to forget about it when picking up the DSLR.

I was so used to looking through the viewfinder that I would forget entirely about composing on the LCD. I'm over that now, and I'm using live view for about a third of my shooting. Some of the most common situations include:

• Crowd shots where I hold the camera overhead.
• Close up photography at weird angles.
• Product shots in the studio.
• Candids when I don't want to make people self conscious (holding the camera at my waist).

By finding a good position and holding the camera over my head, I was able to compose this shot. Photo by Derrick Story.

Live view has really helped me with product photography. I move the camera around the subject at different angles until I find just the look I want. If I have enough light on the subject, I can capture the photo right on the spot. If you haven't done so already, try it.

Thanks to the addition of video recording with DSLRs, we're seeing more articulated LCDs than ever before. If you have one, try experimenting with live view for your still photography too. You might see the world in a slightly different way.

The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!

As I mentioned in yesterday's post, I'm not taking a DSLR on my assignment to Europe. Instead, I'm packing my micro four thirds kit and traveling light with two bodies and six lenses in a Lowepro backpack.

In preparation, I've been testing this kit in real world situations. (I might be crazy, but I'm not stupid.) Yesterday, however, was the first time I left my DSLR at home for a paid assignment.

Fun Ladies. They were dying to get in a shot, so I let them. I held the OM-D high over my head and tilted the LCD screen to compose the shot. ISO 400 with no supplemental lighting. It's one of my favorites of the day. Photo by Derrick Story.

The job was to cover the Grapes to Glass event in the heart of Sonoma County's wine country. I took only one bag that held my micro four thirds kit including two flashes. Over the course of the afternoon and evening, I used two bodies, four lenses, and my lighting. I shot Raw and processed the work in Aperture 3.3.

Wine Pourers. Captured with OM-D and 45mm f/1.8 lens at f/2.2. Off camera flash held over my head with my left hand. ISO 800. Photo by Derrick Story.

Bottom line: the shoot turned out beautifully. The images were sharp and colorful. I had no problem working with the Raw files in Aperture. And my back and shoulders feel great today.

Next test will be the TDS Sonoma Coast Workshop that begins on Friday. I'll keep you posted.

You can find more photo tips and "photography how tos" on my Pinterest page.

One of the biggest photography events in the western world is Photokina in Cologne, Germany, beginning Sept. 18, 2012. This amazing event happens every two years, and usually overlaps with Oktoberfest in Munich, just 5 hours away via train.

I'll be on site covering the show in Cologne, then visiting Oktoberfest afterward. One of the major themes we'll see this year is mobile photography. A large amount of floor space has been dedicated to this topic, and it's on the hot list for many manufacturers.

I also anticipate major announcements from Canon, Nikon, Olympus, Panasonic, Sony, Samsung, and others. My sponsor, Lowepro, will be launching some terrific new products that I'm eager to discuss. I'll be posting on all of their social networks during the event, including Lowepro Facebook, Twitter and on Instagram (loweprobags). In fact, we'll be relying heavily on Instagram to share images on the other sites too.

As for my preparations, I'm traveling as light as possible. I'll be toting the MacBook Pro Retina Display for my heavy duty work (Aperture, Photoshop CS6, Final Cut X, etc.) and the new iPad for work in the field (iPhoto for iOS).

For my cameras, I'm placing my trust in the Olympus OM-D E-M5 system that will cut my gear weight by over half. I'll take five lenses and a backup PEN body. I'll also pack the new Olympus TG-1 for its tough, all weather capability and for its built-in GPS. Everything will fit easily in my Lowepro DSLR Video Fastpack 250 AWthat holds my camera gear, laptop, and iPad, yet fits easily on the plane both under the seat and in the overhead compartment.

At this point, you might be wondering why I'm getting prepared for this event a month in advance. I've learned over the years that if I start packing early, I forget much less. I'll keep you posted.

You can find more photo tips and "photography how tos" on my Pinterest page.

I get a kick out of creating landscape panoramas. When trying to photograph a beautiful vista, panoramas come closer to what I'm actually feeling while standing there.

Many cameras these days will handle the alignment and stitching for you. Some do better than others. I recently tested the Olympus TG-1 compact "tough" camera in Maui. While doing so, I tried its auto panorama scene mode. Here are the results.

Good Panorama

The camera performed well when I did this three-frame pano of the Maui rainforest. There are most likely flaws in the shot. But the forest hides them pretty well. This one I could show to friends.

Bad Panorama

Things got worse, however, when I tried to shoot ocean scenes with big skies. In this shot, the alignment is off, and you can see the seams in the sky where the 3 frames are adjoined.

The Ugly.

But wait! Things can get worse. In this attempt just about everything that could go wrong, did.

Moral of the story. Handheld panoramas captured in auto stitching mode are a total crap shoot. Technology can make up for some of my laziness. But sometimes I just have to break out the tripod and shoot things the old fashioned way.

I have to admit though, these were fun to make.

You can find more photo tips and "photography how tos" on my Pinterest page.

Half the fun of image editing in a non-destructive environment is playing with different techniques. If you stumble across a look that you want to repeat in the future, you can save those settings as an Effect in Aperture. Here's how.

Click on the Effects popup menu (near the top of the Adjustments panel) and choose "Save as Effect." This brings up the Effects Presets dialog where you can name your new look. At the same time, decide which image edits you want saved as part of the Effect. Some of the adjustments you might have done, such as tweaking Curves, might be specific to the photograph, but not necessarily part of the preset you're creating.

To eliminate an adjustment from the preset, just click on the "-" symbol next to its name. When you're done, click the OK button.

To apply the Effect to another image, go back to the Effects popup menu, and you should see your new preset in the list. Mouse over it to get a preview of how it will look. If you like it, just click and it will be applied to your image.

You can fine-tune the picture by using the other tools in the Adjustments panel.

Aperture Tips and Techniques

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

My next open Aperture Workshop is scheduled for Nov. 2012, in Santa Rosa, CA. You can get on the pre-registration list, plus learn about all the other photography workshops offered this season by visiting the TDS Workshops page.

The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!

For a week of hiking, snorkeling, and lounging around the pool in Maui, I depended on one camera - The Olympus Tough TG-1. Not only did it stand up to a week of island abuse, I got great pictures too. In this week's podcast, I talk about the Tough and how it was an integral part of my super nimble workflow.

Speaking of which, I detail the steps of getting the job done with just an iPad and the TG-1. Everything I needed to capture, organize, and publish fit in a light Lowepro Photo Hatchback bag. Don't believe it can be done???

And finally, I jumped in with both feet to Instagram while on the island. Near the end of the show, talk about the things I learned along the way. All of this and more in this week's TDS podcast.

Listen to the Podcast

You can also download the podcast here (32 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Street Scene is the August 2012 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is August 30, 2012.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- The $7.99 Sample Kit is back! And with free shipping.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to saven 20% at check out.

I have the opposite problem with my camera phone. I'm so used to carrying a regular camera that I forget to shoot with my iPhone 4S. So even though I have an Instagram account (derrickstory), I haven't really tapped its potential. That is, until last week.

Heading out of town for a trip to Maui. Instagrams by Derrick Story.

Since I was in Nimble Photographer mode already (iPad, Olympus TG-1, tropical drink), why not take advantage of the joy of iPhone photography and share those images immediately via Instagram? It was a good call.

VW Bus on Maui.

Shooting Instagrams is pure "slice of life" photography. Something catches your eye, you capture it immediately, add a little spice to it, then share. The whole process can be completed in a minute... enough time to catch up to the rest of the group that kept walking as you created your masterpiece.

Breakfast at Gazebo on Maui.

So now that I'm back on the mainland, am I going to keep shooting Instagrams? Yes, indeed. I think they help me slow down a bit and pay more attention to the world around me.

If you want to explore with me, you can find Instagram in the App Store.