Both Aperture and Lightroom provide excellent tools for organizing images in your library. A common question I hear during workshops is about the difference between Flags, Stars, and Color Labels. Here's a quick overview on how I use them.

Star Ratings

I use stars to rate the quality of an image. A great picture will be 4 stars, good is 3, and acceptable is 2. I recommend making two passes to rate photos. First pass is just a "yay or nay" review. If it's an acceptable image, give it 2 stars (a yay). If not, no stars at all (nay).

Then, on the second pass, only review the 2 star photos. I usually put them in an Album (or Collection in Lightroom). You've now had a chance to see the entire shoot and have better perspective on the relative quality of the images. Upgrade the best shots to 3 or 4 stars. These should be the only pictures you spend image editing time on.

Color Labels

Use the color dots for categories. You could assign one color, for example, to shots that you've uploaded to the web. Another color might be used for images that you've printed. If you have a frequent client, he or she might deserve their own color label. You can assign names to labels by going to Preferences > Labels.

Flags

Flags are useful for temporary collections. Let's say that you want to isolate and look at a handful of images. Mark them with a flag, then in thumbnail mode, go to the upper right corner of Aperture and click on the search icon. Choose Flagged from the popup menu. Only those images will be displayed on your screen. Click on the "X" in the search box when you're done to reveal all of the images in that project.

More Aperture Tips and Techniques

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

My next open Aperture Workshop is scheduled for Nov. 2012, in Santa Rosa, CA. You can get on the pre-registration list, plus learn about all the other photography workshops offered this season by visiting the TDS Workshops page.

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Sigma has released a pair of prime lenses for micro four/thirds cameras, such as the Olympus PENs. I've been testing the 30mm F2.8 EX DN($199 US) because it fits nicely between my Olympus 17mm f/2.8($219) and the longer 45mm f/1.8 telephoto($399).

The first thing I noticed with the Sigma 30mm is that it's larger than the two Olympus primes. On the E-PL2 body (shown above), it looks great. On the PEN Mini, the Sigma looks a little oversized. Despite its greater diameter, it's still very light (135g / 4.8oz). The metal lens mount is nicely finished. But the lens mechanism inside does move around when not in use. Once you turn the camera on, it engages, eliminating movement until you actually focus. I'm guessing that this is a byproduct of Sigma's new linear focusing system.

Sigma 30mm (center) compared to the Olympus 45mm and 17mm primes.

On the camera, autofocusing is fast and smooth. You can manually focus on the fly using the large knurled ring at the front of the lens. Focusing action is nicely dampened.

Threads on the front of the lens accept 46mm filters and accessories. A lens hood is not included, but you do get a nice zippered case.

Since the 30mm behaves like a 60mm mild telephoto with the micro four/thirds sensor (crop factor of 2X), you can soften the background when shooting wide open. Overall sharpness of the lens is good. It has decent close-up ability allowing for 1:8.1 magnification at 11.8"

You can soften the background when shooting wide open with the Sigma 30mm.

Bottom Line

The Sigma 30mm F2.8 EX DNis an affordable prime lens for micro four/thirds users, especially useful for Olympus PENs because it doesn't have image stabilization built into the lens. It performs best when the camera's firmware is up to date. For example, when I mounted it on my E-PL2 with firmware 1.0, the lens became hyperactive constantly adjusting the aperture with changing lighting conditions, even when locked down in Aperture Priority mode. I would upgrade your camera firmware if you plan on using this lens.

On start up, I also noticed that there's a 1-2 second delay before the lens was ready to shoot. It feels like the lens and camera are establishing communication during this delay. Once everything is ready however, the lens focuses quickly, quietly, and accurately.

I do like having the faster f/2.8 aperture at the 30mm focal length. On the 14-42mm, f/3.5-5.6 Olympus zoom that comes with the PEN cameras, the aperture is f/5.0 at 30mm. So this prime delivers a stop and a half more light at the same focal length.

The lens should also look good on the black version on the new Olympus OM-D E-M5 bodythat is due to be released later this month.

Overall, I rate the Sigma 30mm a notch below Olympus prime lenses. But if you want a mild telephoto with a reasonably fast aperture for an affordable price, you'll probably like shooting with this glass. I'm going to keep mine.

Find great deals at the TDS Photography Store on Amazon.

Starting this month, I'm available for speaking at SMUGs (SmugMug User Groups). I'm looking forward to meeting with other photographers who share the same passion for making great images and enjoy the process while doing so.

Currently I have five talks available:

• "Efficient Aperture for Busy Photographers" (Apple's Photo Management Software)
• What's in My Bag" (How to pack light yet have everything you need)
• "Getting Started with Macro Photography" (Sometimes, the closer the better)
• "Compact System Cameras Are Here to Stay" (And they might be right for you)
• "Flash Photography for Event Photographers" (Lots of fun modifiers for this one)

Plus, Lowepro is also behind this project, which means there will always be gear giveaways at my speaking engagements. How cool is that?

My SmugMug Bio

Derrick Story is a professional photographer, writer, teacher and photography evangelist for Lowepro. He has authored several digital media books, including, The Photoshop CS4 Companion for Photographers and The Digital Photography Companion (O'Reilly Media, publisher).

Derrick is a Senior Contributor for Macworld magazine where he writes a digital photography column, and he's a regular presenter on the popular training site, lynda.com.

Online, Derrick has formed a virtual camera club called The Digital Story that's open to all photography enthusiasts. The site features weekly podcasts, daily posts, training videos, and reader-submitted photos.

How to Contact Me

If you interested in having me speak at your SMUG, my contact information is listed on the TDS Members page. I hope to see you soon!

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It's exciting to create an image unlike anything you've shot before. That fresh look can lead to a entirely new type of photography. To help jumpstart that process, here are 5 stimulating projects that you can do at home. Each presents its own unique challenge that will add a new dimension to your work. Also, at the end of the podcast, I talk about my latest experiences at Oracle Arena and the $10,000 shot.

Listen to the Podcast

You can also download the podcast here (30 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Enter to Win a Nikon 1 with 10-30mm zoom lens by "Liking" Red River Paper Facebook Fan Page.

Monthly Photo Assignment

Macro is the April 2012 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is April 30, 2012.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- The $7.99 Sample Kit is back! And with free shipping.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to saven 20% at check out.

I recently paid $39 for an Olympus LH-40B lens hood for the 45mm f/1.8 primethat I use on my PEN cameras. Even though it's one of my favorite lenses, I debated for quite some time before spending the dollars on what's essentially a plastic tube. The question I've asked myself many times is: are these accessories really worth the price tag?

The best answer I've come up with so far is: "sometimes."

I've shelled out similar payments for accessory hoods for my Canon 85mm f/1.8, 15-85mm zoom, and other heavily used glass. Why? Because for me, the lens hood serves a few purposes.

First, it helps protect the front objective glass from impact. The plastic bayonet mounted hoods will absorb the shock and possibly detach all together from the lens itself. This could save your larger investment. It's also why I don't use cheaper screw mount hoods. They transfer the impact to the lens itself and have less odds of saving your glass.

Second, lens hoods do help control flare. Stray light hitting the front of your lens or multi-coated protection filter will decrease contrast. A good lens hood, especially the longer ones for telephotos, will eliminate or at least help control this negative effect.

And finally, a lens hood is helpful when working in inclement weather. It helps keep rain drops or snow flakes off the front glass.

Do I buy hoods for every lens I own? I don't - especially if they don't reverse for easy storage in my bag. But for my telephotos and heavy use everyday zooms, I take a deep breath and shell out the bucks. In the end, I believe they help me get the most out of, and protect, my investment.

Find great deals at the TDS Photography Store on Amazon.

A slight shift in weight or change in angle can make a big difference in the final portrait. Since many of the subjects we photograph aren't professional models, they look to us to help them pose.

I just read an article that covers the basic tips that every photographer should have in mind during a portrait session. In 7 Killer Portrait Tips by Dustin Olsen, he illustrates how to position the subject to render more flattering outcomes. It's a good read, and certainly a post you'll want to bookmark.

In this portrait that I captured of model Leah Gerber, she demonstrates a few of these basic reminders. She's angled her torso for a more pleasing body line, and the hands are partially hidden. Her chin is at a good angle. I've softened the light using photo umbrellas on light stand. The strobes themselves are simple Sunpak flashes with a connecting cord that I often use in the studio.

A final tip that I would add is, that once you've covered the basic elements in a portrait, take a few more minutes to play. Try a different angle, experiment with another lens, and change the composition. You have nothing to lose because you already have the "safe" portraits, but lots to gain if you find that magical pose.

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It's the question many filmmakers want answered: Is the Canon 5D Mark III or Nikon D800 best for high-end movie making? The answer, according to Dan Chung in his detailed comparison titled, Video Shootout: Nikon D800 vs Canon 5D Mark III, is: depends on your priorities.

Dan cites more image detail with the D800, but better moire control with the 5D Mark III. And for his filmmaking, moire control is more important.

If you are debating these two cameras, you should definitely check out Dan's report. He covers everything that you'd want to know.

The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!

Like a bear that emerges from hibernation, photographers north of the equator are getting ready to venture outdoors and capture the glory of Spring. The problem is, weather does't always cooperate.

I just read a terrific article on Photo Naturalist titled, A Fun Way To Improve Your Wildflower Photography where author Vic Berardi talks about practicing your close-up technique indoors now to prepare for that next beautiful day outdoors.

I love the idea.

I have a glass window box at the studio that is a terrific stage for plant photography even when the weather is miserable. Vic used a variety of different locations within his house to capture some absolutely beautiful flower shots.

By practicing your technique on potted plants, then reviewing your work on the computer, you can help eliminate unfortunate surprises when working in the field.

Take a look at Vic's article, then consider putting together your own Spring training program.

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I rarely get rid of old equipment if it's still serviceable. A perfect case in point is when I needed a few graduated filters for an assignment. I dug out my Cokin Graduated Neutral Grey Filterand filter holder with adapter ringsdiscovering they work great with my digital camera.

Yes, you can achieve the same effect in post processing with Lightroom. But on this day, I was more in a pre-processing mood.

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Cropped sensor cameras aren't getting as much attention these days as they should. Recent full frame announcements such as the Canon 5D Mark III and the Nikon D800 have many shooters thinking that it's full frame or bust. Not too fast there cowboy! Cropped sensor cameras such as the Canon 7D, Nikon D7000, and upcoming Olympus OM-D offer many advantages. And I cover five of those benefits in this week's podcast.

Listen to the Podcast

You can also download the podcast here (26 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Cropped sensors can provide a more satisfying experience for macro photography. Image on the left captured with a Canon 5D Mark II while the image on the right with a cropped sensor Canon 60D.

Enter to Win a Nikon 1 with 10-30mm zoom lens by "Liking" Red River Paper Facebook Fan Page.

Monthly Photo Assignment

Macro is the April 2012 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is April 30, 2012.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- The $7.99 Sample Kit is back! And with free shipping.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to saven 20% at check out.