The Park by the Numbers Gallery is new and improved enabling you to upload your cameraphone pictures directly to the gallery via an email address (dstory-813z@gallery.mac.com) or by using the "Upload" button on the gallery web page. So now you can take your photo and add it to the gallery before you leave the parking garage.

"Park by the Numbers" is a camera phone project that began as a simple way to help me remember where I parked my car in big garages. But as I started to look more closely at these images, I began to enjoy them on the artistic level too, and became interested in taking other types of parking shots. So what started out as a practical use for a smartphone, has evolved into a creative look at an everyday function that many of us have in common.

You can learn more about the project by visiting the Park by the Numbers home page. So next time you park your car in a big garage, whip out your cameraphone, snap a photo, and if you like it, upload it to our gallery. It's fun... and it may just help you find your car after returning from a long flight.

Technorati Tags: digital photography, The Digital Story, Park by the Numbers

Wondering how you're going to store those large Raw files and video captured with your modern digicam? Toshiba has announced a new 32GB SDHC memory card, and a 16GB version too. The cards should be available worldwide in January 2008 and October 2007 respectively.

I was just thinking about memory card size the other day when reading about the new Canon G9 that captures 12-megapixel Raw files and 30fps SD video. That is a lot of data! It's good to know that we're going to have memory to store all of that beautiful content on.

Technorati Tags: digital photography, The Digital Story

Canon unleashed a torrent of announcements today, but the two cameras that will probably be of most interest to TDS members are the new EOS 40D DSLR and the PowerShot G9 compact. Both cameras are updates that are true improvements over their predecessors.

Canon states about the 40D: "From the camera's newly enhanced, 10.1-megapixel CMOS imaging sensor (designed and manufactured by Canon) and its proprietary and super-efficient DIGIC III image processor, to its completely redesigned autofocus sensor and fast, 6.5 frame-per-second (fps) continuous shooting capability (for bursts of up to 75 Large/Fine JPEGs or 17 RAW images), the EOS 40D SLR puts the fun in functionality and makes serious photo business a positive pleasure." I think Canon shooters are going to love the 6.5 fps.

On the compact side, the PowerShot G9 packs a ton of features into it's handsome body, including the return of RAW: "The PowerShot G9 digital camera features the same matte black, retro-hip design that G-series fans have come to appreciate, with a simplified control layout that is versatile yet easy to understand. This camera is loaded with Canon's latest and most advanced technologies, while raising the bar with the addition of RAW Mode, usually reserved for larger and more expensive SLR cameras. Advanced photographers also have the option of using RAW+JPEG simultaneous capture functionality, giving photographers the best of both worlds - JPEGs for immediate use and RAW images for faithful image reproduction, and extensive, non-destructive image editing capability."

I'm going to enjoy learning more about these cameras over the coming weeks...

It's important to have your copyright information included with every photo that goes out into the wild. Fortunately applications such as Aperture and Lightroom enable you to add copyright information during upload, making it easier to develop this healthy habit. But what can you do if you don't use those applications and sometimes forget to append your files? You can have your camera do it for you.

IPTC data readout from Adobe Bridge 2. The text in the "Creator" field was added by my Canon Rebel XTi during capture.

That's right, Canon DSLR owners can apply up to 30 characters of text to the metadata of every picture they take. This information appears in the "Creator" field when read in Bridge, in the "Author" field in Photoshop, and the "Owner Name" field in Preview. So even though it shows up in different IPTC fields in different applications, it does show up. I even added an image to iPhoto, then exported it out, and my copyright persisted through the export process.

Canon EOS Utility 2

Start by making sure you have the latest version of EOS Utility 2. Launch it, then connect your Canon DSLR. Once the application recognizes your camera, click on "Camera Settings/Remote Shooting." If the application doesn't recognize your camera, disconnect it, change the communication setting to "PC" (in Canon's set up menu), then reconnect.

Now click on the Tools icon and enter up to 30 characters in the "Owner's Name" field. You can't use symbols, so you'll have to spell out "copyright." Click OK, and you're set to go. Now, every time you take a picture, the info you entered will appear in the metadata of the picture.

This information persisted through every test I could throw at it except for one: "Save for Web" in Photoshop, which strips out all metadata. My advice, don't ever use Save for Web for your images. But do set up your Canon camera to write your copyright information to every photo.

I'm guessing that Nikon and other DSLRs offer similar capabilities. If you use one of these cameras and know how to apply this technique, please post in the comments field.

Technorati Tags: digital photography, tips, The Digital Story

I'm teaching a workflow class today at Santa Rosa JC, and one of my big time saving tips is to rate your photos right after upload, then only image edit the best of them.

I've noticed that photographers who don't religiously rate their photos (using Bridge, iPhoto, Aperture, Lightroom, etc.) often waste their time working on pictures that they'll never use anyway. The basic workflow of upload, add metadata, rate, sort, image edit (only the best), output, and archive is still the most efficient system I know.

Technorati Tags: digital photography, The Digital Story

The Technique of the 4 F-Stops is an approach to eliminate noise from a photograph. In his article, Guillermo Luijk explains how dynamic range works with your digital camera, then provides you with the steps to expand it. The basic technique is:

• Shot the scene in a correct exposure according to our usual workflow.
• Repeat the shot now reducing shutter speed by 4 f-stops that will be corrected in the RAW development.
• Blend in some way both images obtaining a free of noise final image.

This is not a technique for casual snapshooting. It requires a tripod and attention to your settings. But the examples are compelling, and I think it's worth testing further.

August Photo Assignment

The August photo assignment is Intersection. Make sure your entries are turned in by the end of the month. Tomorrow, I'll post the results from the July assignment (pattern). It's a great looking gallery, and I know you'll enjoy it.

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances. I'm teaching a class on workflow this coming Saturday at Santa Rosa JC. You can still sign up or call 707-527-4372

Technorati Tags: digital photography, technique, The Digital Story

One of the small improvements that make a big difference for me in iPhoto '08 is its improved Import window. In prior versions you had few options, including not being able to pick individual images to import. Now, when you connect your camera or iPhone, you're presented with a helpful window that displays your thumbnails and basic metadata in the Information pane.

You can enlarge or reduce the thumbnails with the image size slider, add a custom Event name and description, then import selected images or all of them. iPhoto '08 even has a nifty "Hide photos already imported" checkbox that works great.

I've yearned for a more sophisticated Import dialog from iPhoto for a long time. This latest version finally scratches that itch.

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.

Technorati Tags: digital photography, software, The Digital Story

I outgrew my FireLite 160 GB like a 10-year-old outgrows his jeans, and I needed a bigger portable hard drive to store my current Aperture library. I wrote about this adventure recently in the piece titled, Latest Stop on the Quest for Portable Storage.

This pursuit led me to the OWC Mercury On-The-Go FireWire 800/400 + USB 2.0 2.5 Portable Hard Drive. My big decision was between the 200 GB / 7200 RPM / 16 MB cache model for $349 or the 250 GB / 5400 RPM / 8 MB cache version for $299 US. (You can see an overview of all these models on this page.) Even though I would have loved the 7200 RPM model, I opted for the slower 5400 RPM version that had 50 GBs more storage.

I was concerned that a large, bus-powered portable drive would bog down my workflow at 5400 RPM. In other words, Aperture might run slowly. After processing a wedding in Aperture this weekend, I made the right decision going for the bigger drive. With over 300 Canon 5D Raw files from the shoot (added to an already big library of 160 GBs), everything ran just fine. I was able to sort, rate, and image edit the files without pain. (One of my tricks is to upload the images, then take a quick break while Aperture builds the previews. This makes the sorting and rating process go much faster.)

The OWC drive comes with 2 FireWire 800 ports, a FireWire 800 cable, FireWire 800 to 400 conversion cable, and a USB 2 port and cable. Even though it's bus-powered, the kit includes an AC adapter. I haven't used the adapter nor plan to unless necessary. The drive is packaged in an attractive clear case with a sizable heat sink exposed on one side. The heat sink did get rather warm while copying my 160 GB image library over to the OWC drive. But then again, that's its job.

The drive has performed well connected to my MacBook Pro's FW 800 and FW 400 ports. I used it for hours while working on the wedding shoot, and it kept up fine with my pace. The drive fits easily in my laptop bag, and boots up quickly when connected to the computer.

My only complaint? I hate the cheesy fake leather cases the OWC provides with their portable hard drives. It's a one-size-fits-all model that looks like a throw-back from the 1960s. This robust drive deserves a better home for travel.

Aside from the case, I recommend the OWC 250 GB portable drive for photographers who need lots of storage in a tough, compact package.

Technorati Tags: digital photography, product review, The Digital Story

According to the discussion on Nikonians forum, Capture NX 1.2 is primarily a maintenance release. You can read all the details about both the Mac and Windows version over at Photography Blog, where they list a whole slew of minor improvements plus links to download both Mac and Windows versions.

If you want a little background on this innovative image editing application, here are a few links:

Nikon Capture NX: State of the Art Software

Nikon Shows New Capture NX at Macworld

Nikon Capture NX 1.1 Optimized for Intel Macs and Vista

Technorati Tags: digital photography, software, The Digital Story

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.

Just announced iPhoto '08 includes plenty of great new features, such as improved web galleries, event-based organization, and theme-based home printing. I think these additions are useful and will be welcomed by iPhoto users. But I'm particularly enthused about the overhaul of the Adjust palette with the inclusion of Highlight and Shadow sliders. These are professional-level tools that can really help you improve your pictures.

If you look closely at the new Adjust palette, you'll see that the Histogram is at the top with full Levels controls similar to those in Photoshop. The previous Levels control in iPhoto was missing the all-important "gamma" slider in the middle. That's been fixed. Below Levels are nine slider controls. The top two sliders are Exposure and Contrast (replacing Brightness and Contrast). The combination of these sliders, plus the improved Levels control, gives you powerful options for overall exposure adjustment of your pictures.

Next, you'll see the Highlights and Shadows sliders. These are helpful for recovering blown-out highlights and plugged-up shadow areas in your pictures. Highlights and Shadows are very important controls for digital photographers working in contrasty light.

The next group of sliders -- Saturation, Temperature, and Tint -- are the same as before, except now you have an auto white balance dropper. This is really handy for quickly correcting images that are too cool or warm. Simply click on a neutral area with the dropper to correct the image's white balance.

The last set of sliders are Sharpness and Noise (replacing Sharpness and Straighten). Straighten is still available, but it's been rightly relocated outside of the Adjust palette. Including noise control is another professional level tool that I think iPhoto users are going to appreciate, especially those who shoot with compact cameras at higher ISOs.

Lastly, there are now Copy and Paste buttons at the bottom of the Adjust palette. These enable you to copy image adjustment settings and apply them to multiple photographs -- very handy for a series of images shot in the same lighting condition.

I think the improved Adjust palette is a truly a highlight for iPhoto '08. Photographers now have the most vital image editing controls right there in their digital shoebox, eliminating the need to roundtrip to outside applications for the bulk of their editing work.

The new iPhoto is part of the iLife '08 suite of applications, and is available now for $79 US.

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.

Technorati Tags: digital photography, software, The Digital Story, iPhoto